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METAL MOUTH

A tale presents troubled adolescence and romance through the eyes of a remarkable teen protagonist.

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A high schooler struck by lightning suddenly begins hearing—and conversing with—a boy’s voice inside her head in this YA fantasy.

Fifteen-year-old Floridian Mahlorie Moore is often alone, not always by choice. Her mom, Victoria M. Reddish, a famous author of romance novels, is typically away for book signings. Her magician dad, Bob, is usually performing on cruise ships. Though socializing is low on Mahlorie’s list, she reluctantly heads to a party one weekend that her best friend, Shai Dwenger, suggests. But after an intoxicated boy’s unwanted advances, Mahlorie leaves in the midst of a raging storm. She’s hit by lightning, which she miraculously survives. Only now she hears a male voice in her head, and it’s quickly apparent he can hear her, too. It takes some getting used to, but the boy is considerate and sometimes helpful, as when he provides the solution to a math problem in Mahlorie’s class. She learns she’s speaking with 17-year-old Dyson Hertz, who becomes a friendly voice and, eventually, something much more. When his voice evidently disappears, Mahlorie wonders if he’s simply no longer talking to her. So she searches for him to get answers and maybe see the boy she loves in the flesh. Mahlorie, who narrates her story, is a bright but convincingly flawed protagonist. For example, she seemingly has a fear of abandonment while simultaneously isolating herself. But she tends to be frank, and if a boy invades her personal space, she doesn’t hesitate to let him know. Engle’s first-rate cast of characters includes sometimes-selfish but consistently loyal Shai and Mahlorie’s creepy older cousin, Philip. Her parents are likewise memorable, although their jobs are excessively conspicuous metaphors (for instance, Victoria will “plot” Mahlorie like one of her characters; control in life is merely an illusion). Nevertheless, the author recounts familiar situations in lyrical fashion, from an awkward silence (“Quiet roars between us”) to a trek in the dark woods (“Night stretches through the crunch of leaves and sticks that snap beneath my feet”).

A tale presents troubled adolescence and romance through the eyes of a remarkable teen protagonist.

Pub Date: March 1, 2019

ISBN: 978-1-73287-862-4

Page Count: 200

Publisher: JME Books

Review Posted Online: Feb. 17, 2020

Kirkus Reviews Issue: April 1, 2020

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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