First printing of a novella-sized outtake from Michener's behemoth Texas (1985): the story of the revolution of 1836, which severed Texas from Mexico, and of the duel between firebrand Sam Houston's insurgent Texicans and a punitive Mexican army led by glory-mongering scoundrel Santa Anna. In a lengthy introduction, Michener explains the publishing history of this novel and of the sunburst of writing that produced ten books from him between 1986 and 1990. As an adventurous adolescent, the 6'2" Houston would escape from his family's Tennessee farm and go live with the Cherokee Indians, take on their ways and learn their language. Santa Anna meanwhile was born a Creole, soon became idled with dreams of military glory, joined the Mexican infantry, quickly rose to command in the cavalry and led his troops in rapacious attacks against Indians and revolutionaries who questioned the authority of the Spanish army. When rebels arose in the northern province of Tejas, Santa Anna crossed the Rio Grande to slay them. Earlier, Houston had become a teacher, a lawyer, fought beside General Andrew Jackson, represented the Cherokee in Washington for their treaty, and rose to major-general in the Tennessee Militia because of his commanding presence and oratorical gifts. With Mexico breaking away from Spain and crowning its own emperor, Santa Anna went through a sea-change, became an ardent republican and by 1836 had been four times President of Mexico. With Texas seceding, he marched 5,000 troops noah to confront Davy Crockett, Sam Bowie and their 184 Anglo invaders awaiting the Mexicans at the Alamo in San Antonio. After that slaughter, Houston's outnumbered men attacked Santa Anna at San Jacinto, slaying 600 Mexicans in 18 minutes. Exiled four times, Santa Anna went on to be Mexico's president 11 times, ceded incredible areas of Mexico to the States, and died a pauper but no hero. Rapid semifiction done in bold strokes, though not densely imagined.
Pub Date: Sept. 1, 1990
ISBN: 074931415X
Page Count: 192
Publisher: State House Press
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Aug. 15, 1990
War is hell in this novel of inspired absurdity.
Hailed as heroes on a stateside tour before returning to Iraq, Bravo Squad discovers just what it has been fighting for.
Though the shellshocked humor will likely conjure comparisons with Catch-22 and Slaughterhouse Five, the debut novel by Fountain (following his story collection, Brief Encounters with Che Guevara, 2006) focuses even more on the cross-promotional media monster that America has become than it does on the absurdities of war. The entire novel takes place over a single Thanksgiving Day, when the eight soldiers (with their memories of the two who didn’t make it) find themselves at the promotional center of an all-American extravaganza, a nationally televised Dallas Cowboys football game. Providing the novel with its moral compass is protagonist Billy Lynn, a 19-year-old virgin from small-town Texas who has been inflated into some kind of cross between John Wayne and Audie Murphy for his role in a rescue mission documented by an embedded Fox News camera. In two days, the Pentagon-sponsored “Victory Tour” will end and Bravo will return to the business as usual of war. In the meantime, they are dealing with a producer trying to negotiate a film deal (“Think Rocky meets Platoon,” though Hilary Swank is rumored to be attached), glad-handing with the corporate elite of Cowboy fandom (and ownership), and suffering collateral damage during a halftime spectacle with Beyoncé. Over the course of this long, alcohol-fueled day, Billy finds himself torn, as he falls in love (and lust) with a devout Christian cheerleader and listens to his sister try to persuade him that he has done his duty and should refuse to go back. As “Americans fight the war daily in their strenuous inner lives,” Billy and his foxhole brethren discover treachery and betrayal beyond anything they’ve experienced on the battlefield.
War is hell in this novel of inspired absurdity.Pub Date: May 1, 2012
ISBN: 978-0-06-088559-5
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.
Glück’s international reputation as an accomplished and critically acclaimed contemporary poet makes the arrival of her new volume an eagerly anticipated event. This slender collection meets these expectations with 44 poems that pull the reader into a realm of meditation and memory. She sets most of them in the heat of summer—a time of year when nature seems almost oppressively heavy with life—in order to meditate on the myriad realities posed by life and death. Glück mines common childhood images (a grandmother transforming summer fruit into a cool beverage, two sisters applying fingernail polish in a backyard) to resurrect the intense feelings that accompany awakening to the sensual promises of life, and she desperately explores these resonant images, searching for a path that might reconcile her to the inevitability of death. These musings produce the kinds of spiritual insights that draw so many readers to her work: she suggests that we perceive our experiences most intensely when tempered by memory, and that such experiences somehow provide meaning for our lives. Yet for all her metaphysical sensitivity and poetic craftsmanship, Glück reaffirms our ultimate fate: we all eventually die. Rather than resort to pithy mysticism or self-obsessive angst, she boldly insists that death creeps in the shadows of even our brightest summers. The genius of her poems lies in their ability to sear the summertime onto our souls in such a way that its “light will give us no peace.”
A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.Pub Date: April 9, 2001
ISBN: 0-06-018526-0
Page Count: 80
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
BOOK REVIEW
BOOK REVIEW
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