The Pulitzer Prize winner- with his memorable Tales of the South Pacific — is not an author to be passed over lightly. Nor does his new book belie his claim to a rare gift of yarn spinning and writing vigorous, unhackneyed prose. But- and it is a big but- the enthusiasts of the earlier book will find little that captures that appeal in this new book. He has done, what so many young authors seem to need to do, analyzed the painful growing pains of adolescence almost ad nauseam. To be sure, Michener is a gifted story teller, and his new book has the pace and drama only too often absent. But basically, it is a long-spun story of youth growing up. David Harper has a unique background. He was brought up in a Poor Farm, where his aunt, who grudgingly supported him, held a job, and pinched pennies for her own future security. David had no self-consciousness or shame about his domestic background. In fact, he loved the old men whose idol he was; for them, he lived the potential futures they had missed. And for most readers this will be the memorable part of the book. One is taken into the life stream of the poorhouse- and, extraordinarily enough, Michener has succeeded in doing this without descending to maudlin sentimentality. Then David gets another chance, a step up, which leads to a second escape, and the lure of the stage, although only the itinerant stage of the Chautauqua. He's had two summers schooling in the hard school of an amusement park, where it is assumed that the operators will make their lagniappe on the side, by some crookedness or other. Then he has a glimpse of a cleaner, straighter world, before he is caught in the abortive passion of his thwarted love for Mona, and the intricacies of the Chautauqua life. Schooling- college- an urge to make his own road to literary success- provide a thread of purpose through the often sordid by-paths of his summer money-making ventures, and his explorations into sultry passion. There are unpalatable bits- and others in clearcut drama that balance them off. But the book seems overlong in its exploration of the intricacies of adolescence and growing up, a singularly devious route to maturity. A book to assess for a particular market, rather than to accept on the author's earlier achievement.
Pub Date: Jan. 1, 1949
ISBN: 0345483057
Page Count: 480
Publisher: Random House
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: June 15, 1948
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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