Next book

MIRACLE IN SEVILLE

The Virgin Mary goes to bat for a Spanish rancher of fighting bulls while a Gypsy fortune-teller summons what dark forces she can on behalf of her cowardly matador brother—in this rather pallid little fable-cum-novella from the many-volumed Michener. There was a time when the Mota family raised fighting bulls among the finest in Spain—and fate, now, has given the aging Don Cayetano Mota a last chance to bring glory back by showing that his ranch can once again fulfill his family's old dream of breeding great "[bulls] of honor who will pull no surprises in the ring." Trouble brews, though, in the form of the bad-charactered matador Lzaro Lopez, whose cowardice often makes even the best of bulls look undistinguished—and who has long held a grudging and suspicious animosity toward Don Cayetano and the Mota bulls. Everything rides on how well the animals will fight in the great Eastertime festival in Seville, and while Don Cayetano does acts of public penance and fervently offers prayers to the Virgin, the erratic and cowardly Lzaro grows only more suspicious—until he accuses Don Cayetano of having "bewitched" his bulls: "'I've discovered your secret, you agent of the devil. You'll not kill me with your witchcraft bulls. Not me!'" And so who, if anyone, will die? And will the bulls be brave? The story is told by an American writer who befriends Don Cayetano; learns much about bullfighting and bulls; hears and sees miracles (the Virgin moves, glows, and speaks); and who even meets the fortune-teller Magdalena Lopez, Lzaro's dark and smolderingly beautiful sister, who reveals that once the Mota bulls enter the ring, what will happen is... But heaven forfend the telling, except that, yes, there will be both life and death, honor and indignity. Slight, short, harmless, effortless, sometimes informative, and bland.

Pub Date: Oct. 1, 1995

ISBN: 0-679-41822-9

Page Count: 128

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

Categories:
Next book

SWIMMING LESSONS

Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.

A forsaken family bound by grief still struggles to pick up the pieces 12 years after their mother’s death.

When famous author Gil Coleman sees “his dead wife standing on the pavement below” from a bookshop window in a small town on the southern coast of England, he follows her, but to no avail, and takes a near-fatal fall off a walkway on the beach. As soon as they hear word of his accident, Gil’s grown daughters, Nan and Flora, drop everything and return to their seaside family home in Spanish Green. Though her father’s health is dire, Flora, Gil’s youngest, can’t help but be consumed by the thought that her mother, Ingrid—who went missing and presumably drowned (though the body was never found) off the coast more than a decade ago—could be alive, wandering the streets of their town. British author Fuller’s second novel (Our Endless Numbered Days, 2015) is nimbly told from two alternating perspectives: Flora’s, as she re-evaluates the loose ends of her mother’s ambiguous disappearance; and Ingrid’s, through a series of candid letters she writes, but never delivers, to Gil in the month leading up to the day she vanishes. The most compelling parts of this novel unfold in Ingrid’s letters, in which she chronicles the dissolution of her 16-year marriage to Gil, beginning when they first meet in 1976: Gil is her alluring professor, they engage in a furtive love affair, and fall into a hasty union precipitated by an unexpected pregnancy; Gil gains literary fame, and Ingrid is left to tackle motherhood alone (including two miscarriages); and it all bitterly culminates in the discovery of an irrevocable betrayal. Unbeknownst to Gil and his daughters, these letters remain hidden, neglected, in troves of books throughout the house, and the truth lies seductively within reach. Fuller’s tale is eloquent, harrowing, and raw, but it’s often muddled by tired, cloying dialogue. And whereas Ingrid shines as a protagonist at large, the supporting characters are lacking in depth.

Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.

Pub Date: Feb. 7, 2017

ISBN: 978-941040-51-5

Page Count: 368

Publisher: Tin House

Review Posted Online: Oct. 4, 2016

Kirkus Reviews Issue: Oct. 15, 2016

Categories:
Next book

A JOURNEY TO THE END OF THE MILLENNIUM

The fine Israeli writer Yehoshua (Open Heart, 1996, etc.) makes a lengthy journey into the year 999, the end of the first millennium. Indeed, it is the idea of a great journey that is the heart of the story here. Ben Attar, a Moroccan Jewish merchant has come a long distance to France to seek out his nephew and former partner Abulafia. Ben Attar, the nephew, and a third partner, the Muslim Abu Lutfi, had once done a lucrative business importing spices and treasures from the Atlas Mountains to eager buyers in medieval Europe. But now their partnership has been threatened by a complex series of events, with Abulafia married to a pious Jewish widow who objects vehemently to Ben Attar’s two wives. Accompanied by a Spanish rabbi, whose cleverness is belied by his seeming ineffectualness; the rabbi’s young son, Abu Lutfi; the two wives; a timorous black slave boy, and a crew of Arab sailors, the merchant has come to Europe to fight for his former partnership. The battle takes place in two makeshift courtrooms in the isolated Jewish communities of the French countryside, in scenes depicted with extraordinary vividness. Yehoshua tells this complex, densely layered story of love, sexuality, betrayal and “the twilight days, [when] faiths [are] sharpened in the join between one millennium and the next” in a richly allusive, languorous prose, full of lengthy, packed sentences, with clauses tumbling one after another. De Lange’s translation is sensitively nuanced and elegant, catching the strangely hypnotic rhythms of Yehoshua’s style. As the story draws toward its tragic conclusion—but not the one you might expect—the effect is moving, subtle, at once both cerebral and emotional. One of Yehoshua’s most fully realized works: a masterpiece.

Pub Date: Jan. 19, 1999

ISBN: 0-385-48882-3

Page Count: 352

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1998

Categories:
Close Quickview