An intoxicating, unsettling masterpiece.

BITTER ORANGE

Fuller’s (Swimming Lessons, 2017, etc.) latest novel is seductive on the outside, but hidden within is a sinister story that considers the terrifying lengths people will go to escape their pasts.

It’s the summer of 1969, and for the first time in 39 years, Frances Jellico is free of any routine. One month ago, she buried her mother, the callous woman she’d been bound to since birth. When she’s commissioned to survey and write a report on the garden architecture of Lyntons, an old English country house outside London, Frances leaves her home, and turbulent past, to settle into the mansion’s furnished attic for the summer. From the moment she meets Cara and Peter, the attractive couple staying in the rooms below hers, Frances is besotted. Peter, she learns, has been hired to assess the foundation and state of the house, which, after years of neglect following the war, is in poor condition. Frances becomes enraptured by the carefree, unbridled passion Peter and Cara seamlessly exude. All her life, she has yearned for that sense of freedom—to be unburdened of her loneliness, her insecurities, her endless guilt. After discovering a peephole in her bathroom floor, Frances takes to watching their intimate lives play out from above. Equally intrigued by Frances, the couple invites her into their lives, eager to share their desires and secrets with a captive audience. The three spend their languid days indulging in decadent meals, drinking, sunbathing, and reveling in the frivolity of one another’s company. But as Fuller’s novel progresses, Frances’ friendship with the couple turns claustrophobic. The stories Cara and Peter have fed Frances slowly begin to unfurl, revealing a labyrinth of deceptions that Frances finds herself in the middle of. When strange things begin to happen throughout the house, Frances realizes she knows nothing about Cara and Peter. Much like Lyntons, they’re “beautiful on the surface, but look a little closer and everything is decaying, rotting, falling apart.” In the vein of Shirley Jackson’s bone-chilling The Haunting of Hill House, Fuller’s disturbing novel will entrap readers in its twisty narrative, leaving them to reckon with what is real and what is unreal.

An intoxicating, unsettling masterpiece.

Pub Date: Oct. 9, 2018

ISBN: 978-1-947793-15-6

Page Count: 328

Publisher: Tin House

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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