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THIS NOBLE LAND

MY VISION FOR AMERICA

In a stirring essay on America's past and future, octogenarian novelist Michener (The World is My Home, 1992, etc.) outlines his native land's strong and weak points, and his hopes and fears for America's future. Drawing on his travels, historical research, and experiences in politics, Michener cites numerous criteria for determining the country's strength: social and monetary stability, a political system that allows for an orderly transfer of power, an adequate health care system and effective schools and free libraries, adequate employment opportunities for the young, the existence of a tax system that balances wealth between rich and poor, the prevalence of churches that provide moral guidance, the existence of recreational and cultural opportunity, and equitable treatment of disparate ethnic groups. While acknowledging America's defects in some of these areas, the author characterizes the US as a country basically noble (that is, generous and courageous) in purpose and qualities, but he argues that several trends threaten to diminish America's nobility as a society. Although his analysis of the characteristics of a noble society may be controversial in some particulars, Michener will encounter little disagreement in his diagnosis of the US's principal problems: rising violence (he blames it on America becoming too much of a "macho" society), deteriorating families, a declining educational system, the shift from a producing to a consuming economy, declining health care, and ominously worsening racial relations. In his analysis of the results of the congressional elections of 1994, Michener rejects facile nostrums of the left and right in arguing that while some Republican ideas should be supported (like tort reform), many others should be opposed as undermining the nation. Among these are proposals to ban deficit spending, return a great deal of federal power to the states, and eliminate affirmative action programs. Not all will agree with the specifics of Michener's arguments; still, the author makes an admirable effort to define what has made our country great and how to preserve what is best about it.

Pub Date: Oct. 14, 1996

ISBN: 0-679-45152-8

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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