by James Bird ‧ RELEASE DATE: Sept. 30, 2025
A sincere, if uneven, exploration of healing and connection.
Thirteen-year-old Okan Thibault is an Ojibwe boy on a quest to find a mysterious white wolf.
His grandmother’s medicine cards, combined with a vision, urge Okan to protect a white wolf sighted in the Sawtooth Mountains outside their Minnesota town. Okan isn’t sure that he’s the right choice for the quest, since he walks with a limp and the companions his cards choose for him are questionable. There’s Skunk, a girl with a Native mother and white father; she smells bad and is trying to defuse the cruel moniker by embracing it. And then there’s school bully Moose, a rich kid who steals Okan’s lunch money. All three end up in detention together and form the Wolf Club. With nothing more than the medicine cards and their personal hopes of what it would mean to find the wolf, they set out on an adventure that leads them to the very heart of the woods and their greatest desires. Much of Okan’s inner dialogue is thoughtful (if at times heavily expository), providing context for Indigenous creation stories, historical conflicts, and Anishinaabemowin vocabulary, but the contemporary slang feels awkward and forced. Okan makes frequent proclamations about “us Native Americans” that can come across as lacking in nuance and feeding into outdated tropes. The story includes thoughtful social commentary about protest, preservation, and gentrification. The main characters, who are coming to terms with deep trauma, enjoy an emotional and happy conclusion.
A sincere, if uneven, exploration of healing and connection. (Fiction. 10-13)Pub Date: Sept. 30, 2025
ISBN: 9781250362407
Page Count: 272
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by James Bird
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
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by Soman Chainani ; illustrated by RaidesArt
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BOOK TO SCREEN
by Johnnie Christmas ; illustrated by Johnnie Christmas ‧ RELEASE DATE: May 17, 2022
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story.
Leaving Brooklyn behind, Black math-whiz and puzzle lover Bree starts a new life in Florida, where she’ll be tossed into the deep end in more ways than one. Keeping her head above water may be the trickiest puzzle yet.
While her dad is busy working and training in IT, Bree struggles at first to settle into Enith Brigitha Middle School, largely due to the school’s preoccupation with swimming—from the accomplishments of its namesake, a Black Olympian from Curaçao, to its near victory at the state swimming championships. But Bree can’t swim. To illustrate her anxiety around this fact, the graphic novel’s bright colors give way to gray thought bubbles with thick, darkened outlines expressing Bree’s deepest fears and doubts. This poignant visual crowds some panels just as anxious feelings can crowd the thoughts of otherwise star students like Bree. Ultimately, learning to swim turns out to be easy enough with the help of a kind older neighbor—a Black woman with a competitive swimming past of her own as well as a rich and bittersweet understanding of Black Americans’ relationship with swimming—who explains to Bree how racist obstacles of the past can become collective anxiety in the present. To her surprise, Bree, with her newfound water skills, eventually finds herself on the school’s swim team, navigating competition, her anxiety, and new, meaningful relationships.
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story. (Graphic fiction. 10-13)Pub Date: May 17, 2022
ISBN: 978-0-06-305677-0
Page Count: 256
Publisher: HarperAlley
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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by Johnnie Christmas ; illustrated by Johnnie Christmas
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