Why would Bruce Willis snap this up for a million dollars? Because it feels safely familiar, with a wild hook added by Huggins, author of three action thrillers (Leviathan, etc., not reviewed) for the Christian market. Army scientist Dr. Maggie Milton (Milton, as in Paradise Lost) has created a Frankenstein supersoldier. She's taken the body of a dead soldier, named Cain, who had highly unusual genes (XYY), altered them, rebuilt him with titanium armor, and primed him with all manner of super devices, including nearly instant self-healing flesh in case of wounds, and fangs for chewing up enemy bodies to replenish his lowered RNA. Unfortunately, to do all of this she's had to inject him with a mutated strain of Marburg virus, the deadliest virus known, which, if released, could wipe out all life on Earth within weeks. What the Army doesn't know is that Satan has in fact entered their supersoldier, endowing him with a galactic hunger for evil and apocalyptic plans of his own—and suddenly he's on the loose, with his super speed and his ability to rip through steel like paper! Who can stop him? Well, polymathic Marine Colonel James L. Soloman might be able to. Retired since the death of his wife and daughter (for which he blames himself), he's kept himself in almost superhuman Spartan condition at his home in Death Valley. Soloman, recruited to cancel out Cain quietly, tries a variety of lethal gambits to stop him, but none of them work. Cain, it turns out, is actually seeking Maggie's daughter Amy, intending to make a human sacrifice of her before unleashing the Marburg virus on mankind. Eventually, Soloman, whose plans go awry, loses the help of the intelligence forces. Cain/Satan survives all the ordnance used against him, rants in biblical fustian, and prepares Amy for his great black mass as time runs out for the human race. Staggering, galactically gruesome comic-strip, a natural for bouncing Bruce.
Pub Date: July 7, 1997
ISBN: 0-684-83403-0
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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