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MA, YOUR SON IS CRAZY, DO SOMETHING!

A sometimes-engaging compilation of contrasting life stories that’s hampered by uneven execution.

In this memoir/biography, Fabio tells the stories of himself and his cousin, and the consequences of their very different choices.

The author’s cousin Robert’s life reads like a cautionary tale, with many pages devoted to his yearslong involvement in criminal activity and after-hours gambling. As readers take in the stories of Robert’s shocking dealings with Irish gang members in New York City and his encounters with the law in the late 1960s and early ’70s, it’s easy to believe that these tales can’t possibly be true—and, yet, they are. Fabio presents this biographical, true-crime account alongside his own memoir in order to contrast Robert’s decisions with his own. He recorded stories that his cousin told over an unspecified 30-month period and corroborated the tales with evidence from newspaper articles, accounts from family members, and other sources, resulting in a story that “involves two cousins whose lives intersected for decades…about whispered secrets, true and verified accounts; stories about how choices induce to good and evil, and how life takes sundry twists and turns that lead to either virtue or immorality.” As such, it’s packed with anecdotes about Robert’s nefarious dealings, which included beatings (given and received), theft, intimidation, an arrest for conspiracy to commit murder, and big-money gambling—all as seen through the eyes of his cousin, as they weaved in and out of each other’s lives.

Fabio’s strategy of contrasting Robert’s shocking experiences with straightforward stories of his own spiritual journey, and his later pursuit of a career in pharmaceutical sales, proves to be a smart move. Although the book is primarily driven by tales from Robert’s eventful life, the story of his author’s path from a partying lifestyle in college to a devout life of faith provides essential balance, and it allows a buffer for the work’s goal of allowing readers to “learn from the consequences of our choices.” That said, a few key elements of the book’s structure and organization may cause readers to become confused at times. First, the use of italics, instead of quotation marks, to denote dialogue often has the effect of making paragraphs feel choppy and stilted, as in this passage: “Bobby how was it tonight? / Pops, stop saying Bobby, I don’t want these people knowing who I am. / Bobby, how was 61st Street? / Pops, I always win, I try my best. / Oh God Bless You, we love you!” Also, over the course of the book, the author’s method of dropping biblical quotes directly into the text without transitions will makes it hard for readers to take in how each passage from Scripture relates to the main text. The author also uses all-caps quotations from other sources—including the works of Italian diplomat and philosopher Niccolo Machiavelli and French critic and journalist Jean-Baptiste Alphonse Karr—at the start of each chapter; the effect of these can be jarring, and they sometimes reveal upcoming aspects of the main narrative in an awkward manner.

A sometimes-engaging compilation of contrasting life stories that’s hampered by uneven execution.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Sept. 25, 2025

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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