by JC Fabio ‧ RELEASE DATE: tomorrow
A sometimes-engaging compilation of contrasting life stories that’s hampered by uneven execution.
In this memoir/biography, Fabio tells the stories of himself and his cousin, and the consequences of their very different choices.
The author’s cousin Robert’s life reads like a cautionary tale, with many pages devoted to his yearslong involvement in criminal activity and after-hours gambling. As readers take in the stories of Robert’s shocking dealings with Irish gang members in New York City and his encounters with the law in the late 1960s and early ’70s, it’s easy to believe that these tales can’t possibly be true—and, yet, they are. Fabio presents this biographical, true-crime account alongside his own memoir in order to contrast Robert’s decisions with his own. He recorded stories that his cousin told over an unspecified 30-month period and corroborated the tales with evidence from newspaper articles, accounts from family members, and other sources, resulting in a story that “involves two cousins whose lives intersected for decades…about whispered secrets, true and verified accounts; stories about how choices induce to good and evil, and how life takes sundry twists and turns that lead to either virtue or immorality.” As such, it’s packed with anecdotes about Robert’s nefarious dealings, which included beatings (given and received), theft, intimidation, an arrest for conspiracy to commit murder, and big-money gambling—all as seen through the eyes of his cousin, as they weaved in and out of each other’s lives.
Fabio’s strategy of contrasting Robert’s shocking experiences with straightforward stories of his own spiritual journey, and his later pursuit of a career in pharmaceutical sales, proves to be a smart move. Although the book is primarily driven by tales from Robert’s eventful life, the story of his author’s path from a partying lifestyle in college to a devout life of faith provides essential balance, and it allows a buffer for the work’s goal of allowing readers to “learn from the consequences of our choices.” That said, a few key elements of the book’s structure and organization may cause readers to become confused at times. First, the use of italics, instead of quotation marks, to denote dialogue often has the effect of making paragraphs feel choppy and stilted, as in this passage: “Bobby how was it tonight? / Pops, stop saying Bobby, I don’t want these people knowing who I am. / Bobby, how was 61st Street? / Pops, I always win, I try my best. / Oh God Bless You, we love you!” Also, over the course of the book, the author’s method of dropping biblical quotes directly into the text without transitions will makes it hard for readers to take in how each passage from Scripture relates to the main text. The author also uses all-caps quotations from other sources—including the works of Italian diplomat and philosopher Niccolo Machiavelli and French critic and journalist Jean-Baptiste Alphonse Karr—at the start of each chapter; the effect of these can be jarring, and they sometimes reveal upcoming aspects of the main narrative in an awkward manner.
A sometimes-engaging compilation of contrasting life stories that’s hampered by uneven execution.Pub Date: tomorrow
ISBN: 9798993266022
Page Count: 402
Publisher: Self
Review Posted Online: Sept. 25, 2025
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton ; illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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