Supernatural high jinks abound in this joyfully flippant tale.
Two agents—one a vampire, the other a werewolf—clash when attempting to stop a rampaging vampwolf in this paranormal comedy.
Vampire Special Agent Samuel Johnson’s latest mission from VATE (Vampires Against the Evil) is fairly routine: capture a vampwolf terrorizing Des Moines, Iowa. There’s just one problem. The vampire’s boss, Beryl, is partnering him with Joseph Butler, a werewolf. Samuel, a typically solemn, calculating vampire, dreads working with an impulsive, unruly wolf. Organizations like VATE were created to keep humans, who’d centuries ago hunted vampires and wolves into near extinction, safe but ignorant of both races. When the vampwolf goes on a Friday night rage at the mall, Samuel and Joseph easily agree on rescuing human shoppers that haven’t yet managed to flee. But Samuel wants a precise plan of attack, while Joseph impetuously strikes, intent on killing the vampwolf. Complicating matters are two groups of the Evil Ones (vampires) and Wild Ones (werewolves), feral versions of each that would rather kill/eat than protect humans. They exchange blows with the vampwolf as well but could target humans at any time—or turn on the agents. If Samuel and Joseph can find the vampwolf in human form, they’ll have a chance of killing him. That, however, would necessitate cooperating with each other, an arduous feat by its very nature. The novel is a quick read with beaucoup action sequences. A large portion of the laughs comes from Samuel’s first-person perspective. The lofty narrator repeatedly disparages humans, whom he considers stupid, and even apologizes for possibly offending werewolf readers before calling them “obnoxious.” Carpenter (A Limitless Policy, 2014, etc.) sets his story apart with some unfamiliar genre traits: vampires and werewolves do not turn humans into their kind, and both agents can transform (Samuel into a mist or bat) while somehow retaining their clothes and weapons. Intermittent, chapter-length flashbacks to Beryl handing out the assignment and Samuel first meeting his furry partner slow down an otherwise steady pace; shorter recaps would have been as effective. Nevertheless, a few genuine surprises in the final act make for a solid ending and potential setup for a sequel.
Supernatural high jinks abound in this joyfully flippant tale.Pub Date: April 18, 2016
ISBN: 978-1-5234-4089-4
Page Count: 168
Publisher: CreateSpace
Review Posted Online: June 22, 2016
Review Program: Kirkus Indie
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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