by James D Evans ‧ RELEASE DATE: Oct. 18, 2010
Better suited as a story told over beers.
Evans presents his true-life account of purchasing and operating a brothel in Panama.
Three high school buddies are grown up—in age, at least—and arriving at a midlife crisis. Angus, Jack and Evans—who wrote and narrates this biased account of real events—have been socially satisfied in youth, but they’ve grown depressed by the diminishing returns of California’s singles scene. Their advancing age doesn’t help, though the Viagra does. At their weekly sushi get-together, the trio plots a more reliable libidinous retreat—a trip to a Central American brothel where the women reciprocate for a price that doesn’t include rejection. Satisfied with the experience, the friends then jump at the chance to buy a brothel of their own in Panama, which Evans unconvincingly explains as a business opportunity rather than a wet dream. With little hesitation, the three friends become state-sanctioned pimps. Evans then ably answers the second question asked about a brothel (after “How much?”): How does it work? A few indulgences aside, he perceives prostitution strictly as a business, and runs it as such. Women selling themselves, which Evans perfunctorily argues is their right, is a resource for a successful business, akin to liquor licenses and Excel spreadsheets. Although Evans refuses to sleep with the prostitutes he employs because it would be bad for business, he claims that he could have bedded all 20 of them, perhaps at the same time. Despite his business savvy, Evans’ partnership with Angus and Jack slowly, then quickly, deteriorates. Rampant government corruption in Panama makes matters worse, as do obvious carnal distractions, until the ordeal climaxes in an unsexy mess of lawyers and politicians angling for bribes. After Angus and Jack abandon Evans by reneging on their ownership responsibilities, avarice and duplicity so easily replace their camaraderie that it brings the strength of the original friendship into question. Feeling especially victimized toward the end of the ordeal, Evans imagines Angus’ credo against him: “I want you to know that I disrespect you in a contemptuous manner!” The tension and resolution fall flaccid with stilted dialogue amid Evans’ overcompensation for a lack of literary charm.
Better suited as a story told over beers.Pub Date: Oct. 18, 2010
ISBN: 978-0976891574
Page Count: 348
Publisher: N/A
Review Posted Online: Dec. 20, 2010
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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