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THE BLACK DAHLIA

Tim real-life unsolved "Black Dahlia" case (L.A., 1947), source material for several novels and films, get another go. round from hard boiler Ellroy (Blood on the Moon, Because the Night), in a long, earnest, overwrought novel that concentrates on the dark psychosexual hangups of two L.A.P.D. cops. The narrator is "Bucky" Bleichert, who, together with partner Lee Blanchard (his one-time pro-boxing rival), is assigned to work with Homicide when the mutilated body of trampy, pathetic, would-be actress Betty Short is found in a vacant L.A. lot. Blanchard is instantly obsessed with the Dahlia (as the papers soon dub Betty), because of guilt over his kid sister's bygone murder. Bucky becomes obsessed, too, especially once he starts sleeping with Dahlia lookalike Madeleine, a decadent rich girl who once had a lesbian fling with the Dahlia. Blanchard goes berserk, disappears, and later turns up dead in Mexico. Despite much triangular sturm, Bucky marries Blanchard's gift. And eventually, after the primary clues in the Dahlia case run dry (boyfriends, porno flicks), Bucky starts uncovering one nasty secret after another—corruption, perversion, coverups, family skeletons—until he finds the place where the Dahlia was tortured and butchered. . .and confronts the killer. Ellroy writes with undeniable energy, striving for down and-dirty textures and a raw emotional edge. But while some individual vignettes deliver the intended impact, the overall effect is unconvincing and shrill—with too many psychos per square chapter and too many lapses into stagily lurid narration. (". . .My voice came back in racking fits, 'I'll get him for you, he won't hurt you anymore, I'll make it up to you, oh Betty Jesus fuck I will.'")

Pub Date: Sept. 22, 1987

ISBN: N/A

Page Count: -

Publisher: Mysterious Press

Review Posted Online: March 28, 2012

Kirkus Reviews Issue: Aug. 15, 1987

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ANGEL FALLS

The heartfelt soap appears to be Hannah’s chosen romance niche, and she mines it skillfully. (First printing of 125,000)

Hannah’s sequel to On Mystic Lake (1999) is yet another tear-jerker set in northwest Washington State.

Perfect mother Mikaela (“Mike”) Campbell takes a hard fall off a horse, hits her head, and sinks into a coma. In order to help bring her out of it, perfect husband-doctor Liam sits at her bedside and begins to talk to her about their life together. He brings her favorite music, scented potpourri, and, to place across her inert body, sweaters that may smell like home. He also tries to keep life as normal as possible for their two kids: Bret, nine years old, and Jacey, Mike’s teenaged daughter by her previous husband. Going through Mike’s closet to find a prom dress for Jacey, Liam stumbles on souvenirs of her first marriage and a picture of her ex—not just any old, anonymous first husband, but Julian True, a gorgeous superstar actor, the hero of women’s fantasies all over America. Liam has always known that he got Mikaela on the rebound; she was honest about the fact that he was not the love of her life. But she is the love of his life, and when she doesn't respond to the sound of his voice, he contacts Julian in hopes that the actor can save Mikaela. Julian travels up to Last Bend, a cutesy town founded by Liam’s larger-than-life father and filled with homey shops like the Emperor’s New Clothes store and Zeke’s Feed and Seed. When Mike finally comes out of unconsciousness and into her family’s emotional upheaval, she apologizes to Liam and bids goodbye to Julian. Yes, she’s discovered that it’s that gentle guy who stays with you through years of cramps and decorating the Christmas tree who defines what love really is.

The heartfelt soap appears to be Hannah’s chosen romance niche, and she mines it skillfully. (First printing of 125,000)

Pub Date: April 1, 2000

ISBN: 0-609-60592-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2007

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SOLE SURVIVOR

With only a sliver less suspense, Koontz follows up 1996's Intensity with an afterlife novel about a plane crash. Los Angeles crime reporter Joe Carpenter (ah, those initials) needs resurrecting. One year ago his wife, Michelle, and two daughters, Chrissie and little Nina, actually did die in a devastating plane crash over Colorado: no survivors. In a dive, the plane had rocketed straight into millennial rock, leaving only two pieces larger than a car door. Joe, locked in unbearable grief, has quit work, sold his house, moved to a studio apartment over a garage, and is gnawing himself to death with weight loss. Meetings with a compassionate survivor group haven't helped. Rage and anger with an unjust God in whom Joe doesn't believe takes up all his energy. Then visiting his wife and children's graves, Joe finds Dr. Rose Tucker, a black Asian woman with great presence who's taking Polaroids of his family's burial sites. She tells him she survived the crash! But suddenly two men appear and start shooting at her as she races off. Joe soon finds himself involved in unraveling a suicide plague that has struck relatives of the plane's dead. Rose has taken Polaroids of the graves of other relatives as well—but whoever gets one of her pictures first sees a blissful image of the afterlife, then commits suicide, often horribly. As Joe tracks Rose down, he hears that a little girl survived with her, a girl named Nina. Has mankind reached a turning point, as Dr. Tucker avers, at which science has now proven the existence of the afterlife? Funded by a multibillionaire, a secret but massive scientific effort larger than the Manhattan Project has made fantastic strides in the paranormal and revealed a breakthrough into . . . but some baddies want to use this discovery for their own ends, and thus Joe and Rose—and Nina!—must be killed. Masterfully styled, serious entertainment. These are Koontz's great years. (First printing 600,000; Literary Guild main selection; author tour; radio satellite tour)

Pub Date: Feb. 13, 1997

ISBN: 0-679-42526-8

Page Count: 320

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 1997

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