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FACTION 9

This sci-fi debut thrums with creative juice.

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In this sci-fi novel, a government bureaucrat learns the strange truth of his parents’ deaths.

The year is 2041, and Jack Tone works for the Federal Security Agency in Manhattan. He’s an exemplary employee, writing detailed assessments on citizens, legal residents, and noncitizens of the United States. He’s miserable, however; one day after work, he nearly walks in front of a delivery truck. When Peter Andronicus, an accountant, saves him, they agree to have some drinks. Jack lies about his sensitive job, telling his new friend that he’s a U.S. Customs inspector. In turn, he suspects that Andronicus is also lying about his profession. Two weeks later, Jack runs into him at Penn Station, and they head to The Cock and Bull for more libations. This time, Andronicus lays some strange cards on the table—including his knowledge that Jack wanted to be an archaeologist in high school. He then reveals Jack’s true position within the “Corporate-Government alliance” and asserts that “America must be re-founded anew, this time on the pure ideals of liberty and life.” He invites Jack to a meeting, in Pennsylvania, of the Friendly Neighborhood Political Discussion Group, aka Faction 9. The bureaucrat is reluctant to attend, but Andronicus says, “I have information about the circumstances of your parents’ deaths.” Jack eventually learns that 17 years ago, his geologist parents discovered a secret so unsettling that its revelation would have reshaped the fabric of human society. Ultimately, Jack must decide if he’s willing to use his FSA position to help these revolutionaries. For his debut, author Firelocke marries modern politics and the outré to hypnotic effect. In the novel’s opening salvo, he parodies America’s current obsession with surveillance and data collection—and the notion that it can only intensify. Among Andronicus’ Faction 9 colleagues is the chilly, ruthless Karin Polyvox. After she saves Jack from a genetically bastardized human called a Plutocroid, the narrative starts careening across bracingly weird landscapes. Fans of classic authors like Wells and Lovecraft will revel in Firelocke’s tight fusion of strange ideas, including divergent races of humanoid earthlings and giant insects frozen in time. Though his core subject matter is that of a citizenry perpetually distracted by pharmaceuticals and entertainment, Firelocke maintains a tongue-in-cheek atmosphere, like when two recent presidents are referred to as “the Idiot Ape of Texas” and “the Tower Ape.” He saves his darkest critiques for today’s incarceration industry. Prisoners of the Freedom Fortress have an arm amputated upon entrance to reinforce cooperation and eat a nonfood called Ploop. Events remain tense and fascinating as Faction 9’s violent goal—revolving around the megarich Gregory Randolph Reid—crashes against some unexpected emotional subversion. The author also wedges Jack between Polyvox’s fantastic origin and Andronicus’ grounded focus on the mission, which makes for a dreamy kind of madness that sweeps audiences along. There’s plenty of room for pop-culture references, too, including nods to the film Blade Runner.

This sci-fi debut thrums with creative juice.

Pub Date: Jan. 19, 2018

ISBN: 978-0-9995682-9-3

Page Count: 482

Publisher: CreateSpace

Review Posted Online: May 21, 2018

Kirkus Reviews Issue: July 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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