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FENCING THE SKY

A first novel from poet/nonfiction writer Galvin (The Meadow, 1992, etc.) about the ongoing destruction of western rangelands and the decline of the old, land-centered way of life. Mike Arans, a self-reliant cattleman, finds Meriweather Snipes, a canny, repellent land speculator and developer, stampeding cattle that have strayed onto the developer’s land and, in a fit of anger, chases him. It’s hard to say if what happens next is murder or an accident, but Mike, fearing the worst, takes his favorite horse and rides off into the remaining wilderness areas of Wyoming. His good friend Oscar, a bright, stubborn, struggling cattleman like Mike, does what he can to help Mike in his attempts to elude the law, and Galvin shuttles back and forth between Mike’s cross-country flight and the history of the high plains over the past several decades as seen through Mike and Oscar’s subsequent—and wrenching—attempts to make a go of cattle-raising. The economy has worked both to bankrupt small cattlemen and inspire a new and devastating land rush. The “land pimps” (Galvin’s phrase for developers) buy up large swaths of land from exhausted ranchers and turn it into small parcels to be peddled to ignorant romantics looking for a chance to live out their glossy vision of the West. But without the ranchers to maintain drainage, the little water available evaporates, trees die, and soil blows away. The new settlers resent the old ones, with their cattle and the fences vital to managing the range, and violence follows. Galvin works in this sorry history of the modern West skillfully, without slowing or diluting the drama of his story. His evocation of the hard specifics of ranching life and the satisfactions of physical labor, and the lyrical precision of his portrait of the western plains, are distinctive and deeply moving. Part celebration and part angry lament, Fencing the Sky is a memorable debut, the most ambitious and original novel about the modern West to have appeared in some time.

Pub Date: Oct. 7, 1999

ISBN: 0-8050-6220-3

Page Count: 256

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1999

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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