An overly detailed biography that Lee’s die-hard fans will welcome.
The sad, troubled life of the popular jazz singer.
Peggy Lee (1920-2002), born Norma Deloris Egstrom, grew up in North Dakota, raised by an alcoholic father and mean stepmother. Yearning to be the center of attention, she wanted to be a movie star. By the time she was 15, she realized that her natural singing talent might get her out of the prairie. “She would have done anything to become famous,” a friend told music journalist Gavin (Deep in Dreams: The Long Night of Chet Baker, 2002, etc.). The author’s research is impressive: He has interviewed scores of people who knew Lee, worked with or for her, or witnessed her performances; he cites and assesses songs she recorded, performed and wrote; he follows her love affairs, however brief, and her four brief marriages. What he learns, however, proves repetitious: She was a vulnerable woman so frightened of performing that she downed a considerable amount of cognac before sweeping on stage; soon, alcohol was supplemented with Valium and Quaaludes. She was a demanding, selfish employer. She was deeply lonely. Her musicians, Gavin was told, “were her family….She kept them from leaving her after each show, which caused some problems with those who had wives or a life and didn’t want to hang out until the early morning hours.” On stage, she won praise for her “economy of movement.” She explained her stillness: “I just stood there because I was too scared to move.” She admired Billie Holiday, but the feeling was not mutual. She was a hypochondriac and a devotee of the Church of Religious Science, and she tried all manner of fad diets in an attempt to control her burgeoning weight. Her career had its ups and downs: Some of her songs—“Fever,” for example—made her famous, but some flopped.
An overly detailed biography that Lee’s die-hard fans will welcome.Pub Date: Nov. 11, 2014
ISBN: 978-1451641684
Page Count: 608
Publisher: Atria
Review Posted Online: Oct. 4, 2014
Kirkus Reviews Issue: Oct. 15, 2014
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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