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OTHERS

Prolific horror writer Herbert (Portent, 1996, etc.) revives a sentimental favorite, Victor Hugo’s Quasimodo, dresses him up in a modern setting, and sends him forth as Nicholas Dismas, private investigator. Dismas was so malformed at birth—hunchback, spinal curvature, twisted and withered right leg, birdboned chest, a forehead overlapping his eyes, overlarge ears, flat nose, backhair that formed a tail between his buttocks, and so on—that his mother left the newborn monster by the trash bins behind a nun’s convent in a poorer part of London. A prologue set in Hell reveals that Dismas is actually a damned soul, a once irresistibly handsome movie star who is being given one last chance at redemption. This time around, he must live in an exemplary fashion completely at odds with his former evil ways—which he will not be allowed to remember. Thus, Nick Dismas struggles daily with God: why has he been born such a hideous monster to suffer an entire lifetime of humiliation, vilification, and punishment? (The reader knows: every card is stacked against Dismas’s atonement.) Now, he’s hired by widow Shelly Ripstone to find the bastard she bore before she married. Shelly never saw her baby, having been told by the hospital that it died almost at birth. But Louise Broomfield, a clairvoyant, has confirmed Shelly’s intuition that the child lives. Will Dismas find it for her? As birds and whisperings invade Dismas’s mind, Herbert leads his hero into ever more shocking traps while dropping in spells of garden silences under vast clear-blue skies. All clues lead to the Perfect Rest nursing home, whose care-supervisor has the same malformed body as Dismas but an inner beauty that rings bells: her name, Constance Bell (—The bells, the bells!) Midway, the gore gathers and the plot veers into The Island of Doctor Moreau territory. Even so, Nick Dismas remains one of the most tenderly drawn monsters since Hugo’s bell-ringer. ($75,000 ad/promo)

Pub Date: Oct. 1, 1999

ISBN: 0-312-87293-3

Page Count: 512

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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MIDNIGHT BAYOU

Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal...

A gumbo seasoned with ghosts, love, and murder on the bayou.

When 30-something Declan Fitzgerald of Boston, a successful lawyer and a member of a large and loving family, breaks off his engagement to very suitable Jessica, he knows he needs to change his life. Lawyering is not fun anymore, so, recalling Manet Hall, an old deserted plantation house he once visited with law school classmate and New Orleans native Remy, he buys the property and moves down south. Declan is also a gifted craftsman, a born decorator, and very, very rich. Soon, he meets beautiful Lena, who’s visiting her grandmother Odette, Declan’s friendly Cajun neighbor. Declan is as certain that Lena is destined to be his wife as he was that Manet Hall would become his home. But, surprise, Lena has a troubled past (like the house) and is determined to resist Declan’s courtship. While he suits Lena and works on the place, Declan experiences troubling dreams. It seems he’s actually reliving the novel’s parallel story, which took place in 1899. In that year, the maid, Abbey Manet (from whom Lena, coincidentally, is descended, and who married wealthy Lucian Manet), was raped and murdered by her brother-in-law Julian as she nursed her baby daughter. Her body was dumped into the bayou by her mother-in-law, who despised her. And grief-stricken husband Lucian, away at the time, being told that Abbey had run off, committed suicide. Now, in an unconvincing twist of gender and reincarnation, it’s Declan who hears a baby crying , experiences childbirth and rape as the reincarnation of Abbey, while Lena is Lucian. The two accept all this with equanimity, and, Manet Hall’s secrets revealed, it becomes the setting for predictable and much foreshadowed resolutions.

Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal fans will enjoy.

Pub Date: Oct. 1, 2001

ISBN: 0-399-14824-8

Page Count: 368

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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NO BAD DEED

Chavez delivers a fraught if flawed page-turner that attempts too many twists.

A good Samaritan incurs a psychopath’s wrath in this debut thriller.

Veterinarian Cassie Larkin is heading home after a 12-hour shift when someone darts in front of her car, causing her to dump her energy drink. As she pulls over to mop up the mess, her headlights illuminate a couple having a physical altercation. Cassie calls 911, but before help arrives, the man tosses the woman down an embankment. Ignoring the dispatcher’s instructions, Cassie exits the vehicle and intervenes, preventing the now-unconscious woman’s murder. With sirens wailing in the distance, the man warns Cassie: “Let her die, and I’ll let you live.” He then scrambles back to the road and flees in Cassie’s van. Using mug shots, Cassie identifies the thief and would-be killer as Carver Sweet, who is wanted for poisoning his wife. The Santa Rosa police assure Cassie of her safety, but the next evening, her husband, Sam, vanishes while trick-or-treating with their 6-year-old daughter, Audrey. Hours later, he sends texts apologizing and confessing to an affair, but although it’s true that Sam and Cassie have been fighting, she suspects foul play—particularly given the previous night’s events. Cassie files a report with the cops, but they dismiss her concerns, leaving Cassie to investigate on her own. After a convoluted start, Chavez embarks on a paranoia-fueled thrill ride, escalating the stakes while exploiting readers’ darkest domestic fears. The far-fetched plot lacks cohesion and relies too heavily on coincidence to be fully satisfying, but the reader will be invested in learning the Larkin family’s fate through to the too-pat conclusion.

Chavez delivers a fraught if flawed page-turner that attempts too many twists.

Pub Date: Feb. 18, 2020

ISBN: 978-0-06-293617-2

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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