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HORACE AND MORRIS SAY CHEESE (WHICH MAKES DOLORES SNEEZE!)

Having always enjoyed “Roquefort and Beaufort and Blarney and blue. Romano, parmigiano, and Waterloo too” with her rodent buddies Horace and Morris, Dolores is considerably bummed when she develops an allergy to cheese. Though her mom tries to help by supplying cookies and peanut-butter sandwiches for lunch, soon Dolores is dreaming of cheese, seeing it everywhere (“Muenster Movie Madness,” screams the local theater marquee; “Dr. Cheddar and Mr. Hyde”) and even backsliding despite instant, itchy hives. What to do? Walrod’s witty pictures add both visual and plot detail, with scenes of Dolores breaking out as Horace and Morris look on in dismay, visiting Dr. Ricotta for testing (more a generic physical exam than an allergy series) and struggling to stay with her new diet. What turns the corner at last is her discovery that she actively enjoys concocting her own creative, cheeseless meals. Proactive readers with similar troubles may find her strategy successful. (Picture book. 6-8)

Pub Date: July 7, 2009

ISBN: 978-0-689-83940-5

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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BIG CHICKENS

With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)

Pub Date: Feb. 1, 2006

ISBN: 0-525-47575-3

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2005

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