A pair of old high-school chums—one yuppie-rich, the other a slightly schizo slacker living at home with Mom—change places in this witty, unexpectedly moving take on our (shallow, consumerist, frantic) times. Second-novelist Kaplan (Pearl's Progress, 1989), also author of The Airport (1994 nonfiction), begins with two guys from Verona, New Jersey, facing their 25th high-school reunion. Will Weiss is the one with the new car, the second wife (Gail), the two kids, and little to look forward to except for some sexual fantasies and the distant goal of cashing in on a million bucks if and when his father finally sells the family business. Joel Gold is the one who works at a Sub Shop and, when not transfixed by the slippery colors of things (``there are at least four thousand greens''), likes to drive his ancient Impala to the house of his long-ago girlfriend and brood. (He also hears voices and guzzles Wild Turkey; he's never really recovered, it seems, from a posthigh-school breakdown.) As the Dow hits 10,000 and the millennium approaches, the promise of lucre deludes Will with visions of new toys (and sex with a mobster's wife) and lures Gail into adultery with a realtor (whose seduction line involves a walk-in closet). Meantime, Joel quietly, eccentrically, connects the dots on the scandal that broke his head and heart so many years before: the rape and subsequent meltdown of his former flame by Will's current tennis partner. When the stock market crashes, Joel, in short order, finds himself running the Sub Shop (now a coffee bar) as the father of a long-lost daughter—while Will is sleeping on his sofa, bereft of family, job, and sanity. Nervy, packed with stinging riffs on consumer rituals and passions: fiction that dares to hold a mirror up to our laughable, worrisome souls.
Pub Date: Feb. 1, 1998
ISBN: 0-87113-704-6
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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