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I'LL TAKE EVERYTHING YOU HAVE

A transportive, thrillingly queer adventure.

Sixteen-year-old Joe Garbe leaves the family farm, finding trouble and romance in Chicago during the Great Depression.

Arriving by train, Joe meets his cousin, Bernie, at the station and is instantly enamored by the sights and sounds of the city. Thanks to Bernie, Joe lands a job in the kitchen of the Lago Vista hotel, where he now meets Eddie Zambriskie. Their chemistry is palpable from the start, and they start dating. Meanwhile, Joe’s desperate need to settle his family’s debts back home in Kickapoo gets him involved in an underhanded scheme: His role is to take a French conversation class with wealthy people who will be sailing to Europe on vacation and gather information about his classmates’ names and travel dates so that Bernie’s criminal confederates can burgle their homes while they’re away. This ruse is complicated by Joe’s love affair with Raymond Kenrick, one of his marks, who introduces him to kissing, so-called pansy parlors, and sex. The emotionally nuanced characters, most of whom are presumed White, navigate stages of guilt, paranoia, and remorse as they swindle as a means of survival—with tragically beautiful results. Through passionate, cinematic scenes, Klise poignantly captures the fears and joys of being gay in this polished work of historical fiction.

A transportive, thrillingly queer adventure. (author’s note) (Historical fiction. 14-18)

Pub Date: Feb. 28, 2023

ISBN: 978-1-61620-858-5

Page Count: 288

Publisher: Algonquin

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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