by James L. Kugel ‧ RELEASE DATE: Nov. 1, 1997
An extraordinary, pathbreaking scholarly achievement: an annotated anthology of interpretations of ancient (mostly 100 b.c.300 a.d.) interpretations of the Torah (the first five books of the Hebrew Bible) culled from hundreds of sources. ``Interpretation'' here often refers to the homiletical expansion of a biblical narrative—known in the Jewish tradition as midrash—particularly to fill in narrative gaps and vague allusions, or to resolve morally problematic passages. Kugel, a professor of Hebrew literature and the Bible at Harvard and Israel's Bar-Ilan University, notes in a penetrating opening essay that his focus is on ``exegetical motifs.'' He notes basic principles that underlie ancient biblical interpretation, including a view of the Scriptures as ``omnisignificant,'' that is, containing meaning in even the smallest details. Jewish and Christian exegetes also expanded the prosaic to lend greater resonance to seemingly minor matters. For example, Rabbi Simeon Bar Yochai interpreted Deuteronomy 27:17, ``Cursed be he who displaces his neighbor's boundary-mark,'' and Proverbs 22:28, ``Do not displace that boundary mark of old set by your father,'' by adding, ``If you see a custom of your forefathers observed, do not reject it.'' Thus, a law whose literal focus was on property was homiletically expanded to emphasize the ``boundary'' of religious tradition. Kugel's great achievement is to demonstrate again and again, with hundreds of fascinating examples, how the integrity of the text was both respected and reinterpreted by authors as varied as those of the apocrypha, the earliest midrashim, and the Dead Sea Scrolls, as well as the early Church fathers. His own interpretive comments are consistently clear and engaging. This volume, which will be savored by both Jewish and Christian lovers of Scripture, richly illustrates Kugel's point that what we know as ``the Bible'' is really a series of texts filtered through the imaginative perceptions of its ancient exegetes. (24 illustrations, not seen) (History Book Club main selection)
Pub Date: Nov. 1, 1997
ISBN: 0-674-06940-4
Page Count: 700
Publisher: Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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