You can take Burke out of Louisiana's Iberia Parish (Cadillac Jukebox, 1996, etc.), but you can't take Iberia out of Burke, as this tangled tale of Texas murder and memory makes wondrously clear. Without his râsumâ in front of you, you could never tell lawyer Billy Bob Holland (ex-Texas Ranger, ex-assistant US attorney) from Iberia's Dave Robicheaux. Billy Bob's passion for justice, like Dave's, is constantly battling the other passions that have engendered an unacknowledged son, Lucas Smothers, and that keep sending him into battle armed with more than his legal briefs. When Lucas is arrested for raping and murdering Roseanne Hazlitt, there's no question but that Billy Bob will defend him; the only question is how far he'll go. Ranged against Lucas are dyslexic, psychopathic Daft Vanzandt, the spoiled son of a wealthy East End millionaire; Garland T. Moon, the rabid jailmate whose off-the-record confession to a California murder Lucas overhears from his neighboring cell; and just about every law enforcement official resident in Deaf Smith, Texas, from smarmy jailer Harley Sweet to Mexican drug agent Felix Ringo. Burke saves Lucas's murder trial for the end, but the real action takes place long beforehand, as Billy Bob goes head to head with Ringo, Moon, the Vanzandts, two sheriffs, and his own defense witnesses. Each confrontation, as in the Dave Robicheaux novels, is engorged by the hero's overwhelming memories of his own family's involvement with evil: his father's violent death; his great-grandfather's spectral romance with Jennie, the outlaw Rose of Cimarron; and his own accidental killing of L.Q. Navarro, the Ranger partner who haunts his daily rounds as if he hadn't been dead 11 years. Other riddles about the past keep the pot boiling so furiously it's a wonder Burke can get it to the table. All the roiling intensity of the Robicheaux stories. Even the ragged ends make other mystery novels look anemic.
Pub Date: Aug. 1, 1997
ISBN: 0-7868-6258-0
Page Count: 304
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
A landmark work of speculative fiction, comparable to A Clockwork Orange, Brave New World, and Russian revolutionary...
Environmental unconcern, genetic engineering, and bioterrorism have created the hollowed-out, haunted future world of Atwood’s ingenious and disturbing 11th novel, bearing several resemblances to The Handmaid’s Tale (1985).
Protagonist Jimmy, a.k.a. “Snowman,” is perhaps the only living “remnant” (i.e., human unaltered by science) in a devastated lunar landscape where he lives by his remaining wits, scavenges for flotsam surviving from past civilizations, dodges man-eating mutant predators, and remembers. In an equally dark parallel narrative, Atwood traces Jimmy’s personal history, beginning with a bonfire in which diseased livestock are incinerated, observed by five-year-old Jimmy and his father, a “genographer” employed by, first, OrganInc Farms, then, the sinister Helthwyzer Corporation. One staggering invention follows another, as Jimmy mourns the departure of his mother (a former microbiologist who clearly foresaw the Armageddon her colleagues were building), goes through intensive schooling with his brilliant best friend Glenn (who renames himself Crake), and enjoys such lurid titillations as computer games that simulate catastrophe and global conflict (e.g., “Extinctathon,” “Kwiktime Osama”) and Web sites featuring popular atrocities (e.g., “hedsoff.com”). Surfing a kiddie-porn site, Jimmy encounters the poignant figure of Oryx, a Southeast Asian girl apprenticed (i.e., sold) to a con-man, then a sex-seller (in sequences as scary and revolting as anything in contemporary fiction). Oryx will inhabit Jimmy’s imagination forever, as will the perverse genius Crake, who rises from the prestigious Watson-Crick Institute to a position of literally awesome power at the RejoovenEsense Compound, where he works on a formula for immortality, creates artificial humans (the “Children of Crake”), and helps produce the virus that’s pirated and used to start a plague that effectively decimates the world’s population. And Atwood (The Blind Assassin, 2000, etc.) brings it all together in a stunning surprise climax.
A landmark work of speculative fiction, comparable to A Clockwork Orange, Brave New World, and Russian revolutionary Zamyatin’s We. Atwood has surpassed herself.Pub Date: May 6, 2003
ISBN: 0-385-50385-7
Page Count: 400
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
A super-exorcism that leaves the taste of somebody else's blood in your mouth and what a bad taste it is. King presents us with the riddle of a small Maine town that has been deserted overnight. Where did all the down-Easters go? Matter of fact, they're still there but they only get up at sundown. . . for a warm drink. . . .Ben Mears, a novelist, returns to Salem's Lot (pop. 1319), the hometown he hasn't seen since he was four years old, where he falls for a young painter who admires his books (what happens to her shouldn't happen to a Martian). Odd things are manifested. Someone rents the ghastly old Marsten mansion, closed since a horrible double murder-suicide in 1939; a dog is found impaled on a spiked fence; a healthy boy dies of anemia in one week and his brother vanishes. Ben displays tremendous calm considering that you're left to face a corpse that sits up after an autopsy and sinks its fangs into the coroner's neck. . . . Vampirism, necrophilia, et dreadful alia rather overplayed by the author of Carrie (1974).
Pub Date: Oct. 17, 1975
ISBN: 0385007515
Page Count: 458
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Oct. 1, 1975
PERSPECTIVES
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
