The disturbing stories in King’s latest collection will seep into your psyche and haunt you.
A dozen tales from the master of creepiness.
Do you like your short stories on the dark side? Enjoy having eerie images and unsettling plot points turn your dreams into nightmares? Take pleasure in jumping at shadows and feeling your heart beat faster after nightfall? If so, this beefy new collection is for you. In a dozen stories—some considerably longer than others—spanning about 500 pages, King gives the reader a host of things to fear: deadly snakes, ghoulish ghosts of long-dead children, man-eating alligators, stealthy serial killers, plummeting airplanes, mad scientists, mistaken identity. Along the way, he also offers insights about, among other things, the fickleness of talent, the power and pathos of unrealized dreams, the pain and pleasure of relationships, and the meaning and meaninglessness of life and, of course, death. In “Two Talented Bastids,” the son of a famous writer seeks out the source of his father’s success as well as that of his father’s best friend, an artist—and confronts his own limitations. In “Danny Coughlin’s Bad Dream,” a man’s dream about a dead body turns into a living nightmare of suspicion and disbelief. “The Answer Man” explores the value of knowing your future; “Rattlesnakes,” a sequel to King’s bestseller Cujo (1981), the importance of reckoning with the past. And while the book is not without an occasional misstep (“Red Screen,” about a cop with a nitpicking perimenopausal wife, say), King’s conversational prose, relatable characters, and knack for knowing precisely what you are afraid of will draw you in—page by page, horror by horror—and hold you fast.
The disturbing stories in King’s latest collection will seep into your psyche and haunt you.Pub Date: May 21, 2024
ISBN: 9781668037713
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
