by James Mackay ‧ RELEASE DATE: Aug. 1, 1993
In this hefty, definitive, and humorless life of Scottish poet Robert Burns (1759-96), Mackay, acknowledged ruler of Burns country—editor of The Burns Chronicle, the complete works (1986), the letters (1987), and the concordance (1989)—leads revisionary forces in rescuing Burns from what he believes is an undeserved reputation for lust and debauchery. Most of the more than 900 volumes of Burns biography published since the poet's death have perpetuated the myth of the simple, impoverished ploughman who fathered at least 70 illegitimate children and drank himself to death. Concerned with the life rather than the works, as well as with the posthumous scholarly tradition, Mackay maintains that Burns was, in fact, an ``honest fellow'' (as he called himself on one occasion)—a sober, industrious, pious, and patriotic citizen who married the mother of his nine children; supported the four or five he had with various other women; ran a 170-acre farm; rode 200 miles a week as a tax collector; kept intricate account books; composed reams of poetry; collected volumes of native songs; and was addicted—if at all—only as a ``workaholic not an alcoholic.'' Mackay challenges every legend in the scholarly tradition: Burns's education; his relations with the Church; the origins and objects of his most famous poems; his reputed homosexual relationship; and the identity of ``Highland Mary,'' who supposedly inspired his greatest poetry. From genealogies to legalisms, Freemasons, and farm subsidies, the author overcomes the opposition with irrefutable and weighty evidence. But however convincing Mackay is—however flawless his research and arguments—there remains a need to believe in another Burns: the flawed, vain, lusty, convivial poet driven by ungovernable appetites; Dionysian enough to write the love songs, the bawdry, and the drinking ballads he's remembered by; familiar enough with fellowship, foolishness, and the ``cup of kindness'' to write ``Auld Lang Syne.''
Pub Date: Aug. 1, 1993
ISBN: 1-85158-462-5
Page Count: 749
Publisher: Mainstream/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1993
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by James Mackay
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by James Mackay
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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