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THE COLOR OF WATER

A BLACK MAN'S TRIBUTE TO HIS WHITE MOTHER

McBride's mother should take much pleasure in this loving if sometimes uncomfortable memoir, which embodies family values of...

An eloquent narrative in which a young black man searches for his roots—against the wishes of his mother. 

McBride, a professional saxophonist and former staff writer for the Boston Globe and the Washington Post, grew up with 11 siblings in an all-black Brooklyn, New York, housing project. As a child, he became aware that his mother was different from others around him: She was white, and she kept secrets. When asked where she was from, McBride recalls, she would say something like ``God made me''; when asked about her ethnicity, she would say, `` `I'm light-skinned,' and change the subject.'' No amount of prodding could get her to say much more, and McBride was left to explore his mother's past without much help from his principal subject. What he learned occupies the pages of this vivid, affecting memoir: the story of a woman whose parents fled the anti-Jewish pogroms of Central Europe for the American South, there to be faced with new prejudices and develop a few of their own; a woman whose father sexually abused her for years and who ``would run down the back roads where the black folks lived'' to escape him; a woman who moved to New York, married a black minister, and raised eight children, then remarried on his death and raised four more. ``My parents were nonmaterialistic. They believed that money without knowledge was worthless, that education tempered with religion was the way to climb out of poverty in America, and over the years they were proven right,'' McBride writes. The catalogue of his siblings with which he closes his book bears him out: Most have gone on to be doctors, educators, and professionals, with résumés of unbroken success.

McBride's mother should take much pleasure in this loving if sometimes uncomfortable memoir, which embodies family values of the best kind. Other readers will take pleasure in it as well.

Pub Date: Jan. 23, 1996

ISBN: 1-57322-022-1

Page Count: 256

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1995

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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