A rousing and provocative political thriller, though the labyrinthine plot can make for an arduous read.
The FBI races to uncover a complex conspiracy to hijack a presidential election.
McCrone’s (Faithless Elector, 2016) second installment in the Imogen Trager series picks up where its predecessor left off: a plot to steal the presidency results in the murders of seven electors, in retribution for their refusal to change their votes, and three faithless electors, who were killed in order to silence them. After a chaotic shootout, the assistant director of the FBI languishes in a medically induced coma; professor Duncan Calder (Trager’s love interest) is badly wounded; and Thomas Kurtz, an FBI agent complicit in the conspiracy, is dead. There is powerful evidence of electoral fraud in Illinois, and it’s likely that when Congress convenes, it will deem the votes of the faithless electors illegitimate. In that case, in accordance with the 12th Amendment, a vote by the House of Representatives will select a new president and one by the Senate, a new vice president, the two possibly from different parties. Both presidential candidates—Republican James Christopher and Democrat Diane Redmond—suggest the other is culpable of fraud, and the public grows violently disillusioned by an increasingly shambolic pantomime of the democratic process. McCrone skillfully depicts a country pushed to the brink: “In this atmosphere, it was growing harder to know what was going on at all, nor what information to trust. The Constitution was straining at the seams.” Trager helps the FBI find evidence of two conspiratorial cells—one operating within the bureau and one outside of it. The acting executive assistant director of the FBI, Don Weir, worries that the agency continues to be infiltrated by moles. The author yet again deftly delivers a combination of stirring action and remarkably intricate plot entanglements. And this is a timely and intelligent commentary on the current state of electoral politics in America—a dour sense of voter disenfranchisement in response to dizzyingly ubiquitous corruption. But the plot is sometimes torpidly complex, and despite dutiful synopses of prior events regularly issued, this will be a difficult book to follow for those who haven’t read the first.
A rousing and provocative political thriller, though the labyrinthine plot can make for an arduous read.Pub Date: Oct. 17, 2017
ISBN: 978-0-692-79784-6
Page Count: 249
Publisher: Faithless Elector
Review Posted Online: Nov. 9, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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