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PANTHER GAP

Breathtaking vistas and hallucinatory visions weighed down by pedestrian villainy and narrative expediency.

A fractured family, secrets, and a big bag of cocaine lead to short, sharp violence in the Colorado wilderness.

This follow-up to Bearskin (2018) is marked by many of the same traits that made McLaughlin’s Edgar Award–winning debut so rewarding, not least the spare, menacing prose depicting a man seeking redemption in isolation. But while the two books’ mechanics are similar, the idiosyncrasies of the heroes here don’t inspire much sympathy, and the deus ex machina acrobatics setting events in motion fray the book’s credibility. The heart of the story lies in two siblings, dissimilar as oil and water yet inextricably tied together. Summer Girard is the reasonable, responsible one who, along with uncles Jeremy and Darwin, is holding down the fort on a struggling cattle ranch near Durango, Colorado. Her brother, Bowman, is a whole other animal, a near-feral drifter whose notions of his one-quarter Native American heritage (“tribe unknown”) combined with nerve damage from exposure to fish toxins have left him paranoid and troubled. Two precipitating events harden Summer’s resolve to keep her ranch and bring Bowman out from where he's hiding in Costa Rica. First, road-tripping lawyer Sam Hay and his pal Mac realize that Melissa, the young woman they picked up in a cafe, might land them in big trouble with a Mexican cartel over the large backpack full of coke she claims to have stolen from her boyfriend. Simultaneously, Summer discovers that her grandfather Martin has left her and Bowman a secret stash of money they can only claim together at a bank in Denver. While Summer reluctantly agrees to protect Sam when she finds him looking for water on her land, having been deserted by Mac and Melissa, a mobster colleague of her grandfather’s named Jake Salifano gets word of her inheritance and dispatches a violent, armed prison gang to take back his ill-gotten gains. Stylistically, McLaughlin’s novels recall Taylor Sheridan’s films, most notably Wind River and his adaptation of Michael Koryta’s Those Who Wish Me Dead. The prose and the setting remain arthouse cool, but the triggering menace and nominal twists are strictly B-movie material.

Breathtaking vistas and hallucinatory visions weighed down by pedestrian villainy and narrative expediency.

Pub Date: April 4, 2023

ISBN: 9781250821003

Page Count: 368

Publisher: Flatiron Books

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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HOPE RISES

Filled with action, violence, and more twists than a bag of pretzels.

Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.

Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.

Filled with action, violence, and more twists than a bag of pretzels.

Pub Date: April 14, 2026

ISBN: 9781538758021

Page Count: 416

Publisher: Grand Central Publishing

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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