by James Meredith with William Doyle ‧ RELEASE DATE: Aug. 7, 2012
Revealing details of this fraught era couched in an overly self-aggrandizing tone.
The first black graduate of the University of Mississippi pontificates on his place in civil rights history.
In this somewhat hyperbolic memoir of his challenges to white supremacy in Mississippi in the 1960s, Meredith displays little doubt of his importance to the movement. Born in Kosciusko, Miss., in 1933, Meredith was the great-grandson of the Confederate legal officer J.A.P. Campbell, who later fashioned Mississippi’s code of white supremacy, and the son of a hardworking farmer with the “wisdom of a prophet” who inspired Meredith with a “divine responsibility to save the black race.” Inferiority to whites was not acceptable to Meredith, and nearly a decade in the Air Force proved a severe trial, especially when the only time he experienced fairness and respect was while stationed in Japan in the late ’50s. He vowed that to be a man, he had to force change back home. Completing a degree in political science at Ole Miss, the “holiest temple of white supremacy in America,” had been an early dream, and his case was taken up by Medgar Evers, Thurgood Marshall and the NAACP, and eventually settled by the Supreme Court. The Little Rock Nine had cracked open Arkansas’s Central High School in 1957 with the help of U.S. combat troops, and Meredith, disdaining King’s efforts at nonviolent civil disobedience, hoped for the same powerful display of federal force. He got it. Surrounded by troops, he stood up to Gov. Ross Robert Barnett Jr. over two fraught weeks in September 1962 as the state and its defiant white citizens staged an insurrection against the Kennedy brothers. Meredith elaborates on his becoming irresistible to women, black and white, his shooting in 1966 and his uneasy relationship with civil rights leaders and politicians, and he ends with an urgent plea for hands-on improvement to public school education.
Revealing details of this fraught era couched in an overly self-aggrandizing tone.Pub Date: Aug. 7, 2012
ISBN: 978-1-4516-7472-9
Page Count: 288
Publisher: Atria
Review Posted Online: June 16, 2012
Kirkus Reviews Issue: July 1, 2012
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                            by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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                            by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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