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THE LIGHTHOUSE KEEPER

Best-selling Pratt’s second is sweetly sincere but less affecting than his first (The Last Valentine, 1998) in detailing two generations of Irish-American men learning to endure loss. Ranging in place from Ireland to wartime Italy and an island near Nantucket, the story of Billie O' Banyon and his nephew Peter is told in flashbacks as the dying Peter visits Port Hope lighthouse for the last time. The lighthouse has served not only as a warning to ships but as a metaphorical beacon of hope for men who have found consolation either working the light, as Uncle Billie did, or visiting it later, like Peter. Accompanied by his only daughter, Kathleen, Peter tells how Uncle Billie immigrated to America, married Katie, served in the merchant Navy in WWI, and, having saved his money, returned to Ireland with Katie and their only child. But both Katie and child died in the postwar influenza epidemic, and a grieving Billie returned to America, where he found solace minding the lighthouse. In the early 1930s, he’s joined by young Peter, the only survivor of a fiery car crash that killed all of Peter’s family. The younger man keeps up Billie’s logbook and now tells Kathleen that it contains a legacy, 'the secret to ageless contentment and ageless love.' Peter tells his own story, how he married Anna before setting off to fight, survived the war though losing his best buddies, and came back to the lighthouse to visit with Anna and their infant daughter Kathleen. More tragedy awaits him, but once more he survives it, buoyed by Uncle Billie’s message'that keeping the light of love bright makes life endurable'a message that, in turn, will later sustain Kathleen. Heartfelt but too message-driven'and thus uncompelling'to bring out the Kleenex. (Literary Guild featured alternate and Doubleday Book Club; author tour)

Pub Date: Feb. 1, 2000

ISBN: 0-312-24113-5

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2000

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THE SECRETS WE KEPT

An intriguing and little-known chapter of literary history is brought to life with brio.

Inspired by the true story of the role of Dr. Zhivago in the Cold War: a novel of espionage in the West, resistance in the East, and grand passions on both sides.

“We typed a hundred words a minute and never missed a syllable.…Our fingers flew across the keys. Our clacking was constant. We’d pause only to answer the phone or to take a drag of a cigarette; some of us managed to master both without missing a beat.” Prescott’s debut features three individual heroines and one collective one—the typing pool at the Agency (the then relatively new CIA), which acts as a smart, snappy Greek chorus as the action of the novel progresses, also providing delightful description and commentary on D.C. life in the 1950s. The other three are Irina, a young Russian American who is hired despite her slow typing because other tasks are planned for her; Sally, an experienced spy who is charged with training Irina and ends up falling madly in love with her; and Olga, the real-life mistress of Boris Pasternak, whose devotion to the married author sent her twice to the gulag and dwarfed everything else in her life, including her two children. Well-researched and cleverly constructed, the novel shifts back and forth between the Soviet Union and Washington, beginning with Olga’s first arrest in 1949—“When the men in the black suits came, my daughter offered them tea”—and moving through the smuggling of the Soviet-suppressed manuscript of Dr. Zhivago out of Russia all the way up to the release of the film version in 1965. Despite the passionate avowals and heroics, the love affair of Olga and Boris never quite catches fire. But the Western portions of the book—the D.C. gossip, the details of spy training, and the lesbian affair—really sing.

An intriguing and little-known chapter of literary history is brought to life with brio.

Pub Date: Sept. 17, 2019

ISBN: 978-0-525-65615-9

Page Count: 368

Publisher: Knopf

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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WATER FOR ELEPHANTS

Despite genuine talent, Gruen misses the mark.

Gruen (Riding Lesson, not reviewed) brings to life the world of a Depression-era traveling circus.

Jacob Jankowski, a retired veterinarian living out his days in an assisted-living facility, drifts in and out of his memories: Only days before graduating from vet school in 1931, young Jake learns his parents have died and left him penniless. Leaving school, he hops a train that happens to belong to the Benzini Brothers Most Spectacular Show on Earth. When the circus’s owner, Uncle Al, learns Jake’s educational background, he quickly hires him as the circus vet. This position allows Jake access to the various strata of circus society, from lowly crewmembers who seldom see actual money in their pay envelopes to the performers and managers who drink champagne and dress in evening wear for dinner. Jake is soon in love, both with Marlena, an equestrienne married to the head animal trainer, August, and with Rosie, an elephant who understands only Polish (which Polish-American Jake conveniently speaks). At first, August and Marlena seem happily married, but Jake soon realizes that August’s charm can quickly turn to cruelty. He is charismatic but bipolar (subtle echoes of Sophie’s Choice). Worse, he beats Rosie, and comes across as having no love for animals. When August assumes Marlena and Jake are fooling around—having acknowledged their feelings, they have allowed themselves only a kiss—he beats Marlena, and she leaves him. Uncle Al tries blackmailing Jake to force him to reunite Marlena with August for the sake of the circus. Jake does not comply, and one fatality leads to another until the final blowup. The leisurely recreation of the circus’s daily routine is lovely and mesmerizing, even if readers have visited this world already in fiction and film, but the plot gradually bogs down in melodrama and disintegrates by its almost saccharine ending.

Despite genuine talent, Gruen misses the mark.

Pub Date: June 2, 2006

ISBN: 1-56512-499-5

Page Count: 352

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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