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THE STOCKTON INSANE ASYLUM MURDER

From the Portia of the Pacific Historical Mysteries series , Vol. 3

A compelling historical setting and subject hampered by awkward prose.

In this third installment of a mystery series, a 19th-century San Francisco attorney and detective leads an investigation into abusive practices at an insane asylum.

In San Francisco in 1887, an unusual crew occupies 1 Nob Hill, the mansion built by railroad magnate Mark Hopkins. His widow, Mary, lives there but has dementia and serves as “benefactress” to the other occupants: Clara Foltz, California’s first female lawyer, a single mother, and the true head of the household; her brood of children; and her best friend, Ah Toy, a former Chinatown madam. With some help—including psychic assistance—the group has solved some difficult cases. Now Clara’s daughter Bertha May, 17, is pretending to be mentally unstable at the Stockton State Insane Asylum, where her friend Polly Bedford, 12, has been committed by her parents after witnessing the murder of Winnifred Cotton, 10, a Nob Hill neighbor. Bertha’s mission is to discover what Polly really saw, and the whole team wants to expose illegal commitments targeting wives, children, and immigrants. To that end, they form a citizens’ committee as the public face of the investigation while continuing undercover work. What they discover goes beyond the iniquities of false commitments into some bizarre territory—including spiritualism, telepathy, conjoined twins, and elaborate experiments carried out by eugenicists Francis Galton and Dr. Emil Kraepelin. Can justice be served? Musgrave (The Spiritualist Murders, 2018, etc.) has some potent ingredients in this fantastical stew, spiced with many real-life figures, like Foltz, Toy, Galton, Kraepelin, and Elizabeth Packard, who helped reform commitment laws in the 1860s after being confined to an asylum when she questioned her husband’s opinions. The setting is atmospheric and the subject, captivating. But clumsy writing (“Their diaphragms undulating their bosoms”), a painful German accent (“Bzychozis can ofden pe proken ven zee badient exberiences zee traumatic effent akain”), anachronisms (the terms “sexist” and “racist”), and murky paranormal phenomena mar the story. And, despite their association with eugenics, Galton and Kraepelin don’t deserve such grotesque caricatures.

A compelling historical setting and subject hampered by awkward prose.

Pub Date: Jan. 22, 2019

ISBN: 978-1-943457-38-0

Page Count: 289

Publisher: EMRE Publishing Fiction

Review Posted Online: March 11, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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