Not a banner year, all things considered, with greatest likely appeal to the younger section of the audience (but is it the...
The 2010 Nebula Award winners, as voted in 2011 by members of the Science Fiction and Fantasy Writers of America (after a preliminary sieving), finally served up in 2012.
The short-story winners, following a tie: Kij Johnson's "Ponies," a razor-slash across the jugular illustrating the unthinking cruelty of young girls; and Harlan Ellison's "How Interesting: A Tiny Man," something like a modern take on the point J.G. Ballard made long ago with "The Drowned Giant." Novelette winner Eric James Stone's "That Leviathan, Whom Thou Hast Made" features colossal energy-beings that live inside the sun, and—really—Mormonism (I know, I know—but read the story anyway). "The Lady Who Plucked Red Flowers Beneath the Queen's Window," Rachel Swirsky's winning novella (concerning a matriarchal society whose chief wizard is betrayed by her monarch into perpetual enslavement) suffers from its staccato pacing and unfinished air. There are excerpts from Connie Willis' Blackout/All Clear (best novel) and Andre Norton Award winner Terry Pratchett's I Shall Wear Midnight. The Solstice Award (for impact on the field) was claimed by the late James Tiptree Jr. and illustrated with a devastating story of alien sex, "And I Awoke And Found Me Here On The Cold Hill's Side." Other ballot finalists are represented by Geoff Landis, Chris Barzak, Shweta Narayan, Adam Troy-Castro, Aliette de Bodard and Amal el-Mohtar, and there's poetry from Kendall Evans and Samantha Henderson, Howard Hendrix and Ann K. Schwader.
Not a banner year, all things considered, with greatest likely appeal to the younger section of the audience (but is it the audience that's getting younger, or the writers, or the voters?), and too often pallid, especially—perhaps unfairly—contrasted with a true heavyweight champion like Tiptree.Pub Date: May 1, 2012
ISBN: 978-1-61614-619-1
Page Count: 336
Publisher: Pyr/Prometheus Books
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
