There is a reason why true crime sells, of course, especially when it involves famous people: A blend of gore, fame, and...
The rapid-fire tale of one of the most infamous true-crime stories of the past decade.
As Patterson (The People vs. Alex Cross, 2017, etc.) and Abramovich (Bullies: A Friendship, 2016) demonstrate early on, Aaron Hernandez (1989-2017) appeared to have it all. A football star in Connecticut, he was recruited to play at the University of Florida, where he was a standout tight end. Although there were a few whispers of behavioral issues when he was in Gainesville that led to him dropping in the NFL draft, Hernandez was drafted by the New England Patriots. His trajectory continued to rise in the NFL, where he made the Pro Bowl and eventually earned a contract extension worth $40 million. Then it all went awry. In 2015, Hernandez was convicted of the 2013 murder of his fiancee’s sister’s boyfriend and later put on trial—though acquitted—for a double murder in Boston that happened before the murder for which he was convicted (and which the authors clearly believe he committed). The handsome and charming but volatile football star was sentenced to life in prison without the possibility of parole; in 2017, he was found dead in his cell of an apparent suicide. As can be expected in any book with Patterson’s name on the cover, the authors tell the Hernandez tale in page-churning fashion. The book, just over 380 pages of text, contains 97 chapters as well as a prologue, coda, and epilogue, virtually none more than five pages long, most three or four. This approach will undoubtedly keep readers moving, but it also leaves little room for depth and nuance. The book also lacks footnotes, endnotes, a bibliography, or any other sourcing.
There is a reason why true crime sells, of course, especially when it involves famous people: A blend of gore, fame, and voyeurism is a compelling mixture in our violent, fame-obsessed society. There is also a reason why the genre has a reputation for gratuitousness. A middling true-crime saga that fails to answer a significant question: Why?Pub Date: Jan. 22, 2018
ISBN: 978-0-316-41265-0
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Feb. 12, 2018
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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