Advertising executive Patterson doubles neither our pleasure nor our fun by giving us two intense, Hannibal Lecter-type murderers for the price of one in an improbable and hopelessly derivative mess of a thriller. Feds and local authorities on both coasts are baffled by a pair of serial killers targeting beautiful young women: The Gentleman Caller works the scene in sunny L.A., where he brutally murders and dismembers his prey; his counterpart back East, who calls himself Casanova, trolls the Raleigh/Durham/Chapel Hill area for sexy coeds to victimize. Their MOs provide plenty of fodder for an author trying to cook up a work of psychological terror: Both are powerful, handsome, brilliant (natch), commit perfect crimes, and, despite their busy schedules, manage to keep in touch with each other. To catch them, you obviously need a perfect crime fighter. Enter Alex Cross, the Washington, D.C., detective/psychologist hero of bestselling Along Came A Spider (1993), who gets dragged into all this after his niece Naomi, a student at Duke University, vanishes. Working with the authorities and a medical student named Kate McTiernan, who was lucky enough to escape Casanova's clutches, Cross begins to understand how the two dueling psychos operate. Just in the nick of time, too, because the Gentleman Caller, on the run from the law out West, decides that nothing could be finer than to be in Carolina with his old buddy Casanova. So, what does Cross, whose favorite niece is now in the clutches of two sickos, do? Fall in love with Kate McTiernan, of course, in an ill-placed romantic subplot intended to raise the stakes in the deadly cat-and-mouse game. Does Cross save Naomi? Are the two killers brought to justice or, at the very least, consigned to gory demises? Who cares? As a storyteller, Patterson is a great ad copywriter.
Pub Date: Jan. 11, 1995
ISBN: 0-316-69370-7
Page Count: 464
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
BOOK TO SCREEN
An expert juggling act that ends with not one but two intercut trials. More, please.
His Clifton Chronicles (This Was a Man, 2017, etc.) complete, the indefatigable Archer launches a new series that follows a well-born police officer from his first assignment to (spoiler alert) his appointment as commissioner of the Metropolitan Police some volumes down the road.
William Warwick may have been born with a silver spoon in his mouth, but he’s done everything he can to declare his independence from his father, Sir Julian Warwick QC. When William, fresh out of King’s College with a degree in art history, announces his intention to enroll in Hendon Police College, his father realizes that he’ll have to count on William’s older sister, Grace, to carry on the family’s tradition in Her Majesty’s courts. Instead, guileless William patrols the streets of Lambeth until a chance remark lands him on DCI Bruce Lamont’s Art and Antiques unit under the watchful eye of Cmdr. Jack Hawksby. No fewer than four cases await his attention: the forger who signs first editions with the names of their famous authors; a series of even more accomplished forgeries of old masters paintings; a well-organized series of thefts of artworks by a gang whose leader prefers selling them back to the companies who’ve insured them and often don’t even report the thefts to the police; and a mysterious series of purchases of century-old silver by one Kevin Carter. His investigations take William across the path, and then into the bed, of Beth Rainsford, a research assistant at the Fitzmolean gallery, still reeling seven years after a priceless Rembrandt was stolen from its collection, most likely by landowner and self-styled farmer Miles Faulkner. As if to prevent William from getting even a moment’s sleep in between rounds of detection and decorous coupling, Beth unwillingly drags William into a fifth case, a 2-year-old murder whose verdict she has every reason to doubt. One of these cases will bring William up against Grace, whose withering cross-examination of him on the witness stand is a special highlight.
An expert juggling act that ends with not one but two intercut trials. More, please.Pub Date: Sept. 3, 2019
ISBN: 978-1-250-20076-1
Page Count: 336
Publisher: St. Martin's
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
PROFILES
A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and...
A young man seeking catharsis probes old wounds and unleashes fresh pain in this expertly crafted stand-alone from Edgar finalist Gaylin (If I Die Tonight, 2018, etc.).
Quentin Garrison is an accomplished true-crime podcaster, but it’s not until his troubled mother, Kate, fatally overdoses that he tackles the case that destroyed his family. In 1976, teenagers Gabriel LeRoy and April Cooper murdered 12 people in Southern California—Kate’s little sister included—before dying in a fire. Kate’s mother committed suicide, and her father withdrew, neglecting Kate, who in turn neglected Quentin. Quentin intends for Closure to examine the killings’ ripple effects, but after an interview with his estranged grandfather ends in a fight, he resolves to find a different angle. When a source alleges that April is alive and living in New York as Renee Bloom, Quentin is dubious, but efforts to debunk the claim only uncover more supporting evidence, so he flies east to investigate. Renee’s daughter, online film columnist Robin Diamond, is preoccupied with Twitter trolls and marital strife when Quentin calls to inquire about her mom’s connection to April Cooper. Robin initially dismisses Quentin but, upon reflection, realizes she knows nothing of Renee’s past. Before she can ask, a violent home invasion hospitalizes her parents and leaves Robin wondering whom she can trust. Artfully strewn red herrings and a kaleidoscopic narrative heighten tension while sowing seeds of distrust concerning the characters’ honesty and intentions. Letters from April to her future daughter written mid–crime spree punctuate chapters from Quentin's and Robin’s perspectives, humanizing her and Gabriel in contrast with sensationalized accounts from Hollywood and the media.
A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and blame.Pub Date: July 2, 2019
ISBN: 978-0-06-284454-5
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
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