Fifteen graphic stories collected in one tight package for a new generation of fans.

THE COMPLETE ADVENTURES OF JOHNNY MUTTON

Johnny Mutton, he’s so him!

Before there was Babymouse or the Wimpy Kid, before Dragonbreath or Big Nate, there was a baby sheep on (human) Momma Mutton’s front step. Johnny Mutton is a sheep raised as a boy and has as distinctive a personality as could be imagined. When his whole class dresses for Halloween as either pirates or witches, Johnny Mutton arrives dressed as a runny nose. Good thing his best friend, Gloria Crust, comes dressed as a giant box of tissues. When Johnny Mutton’s ever loving Momma decides her son needs to learn some manners (he wears his napkin on his head and says “pronto” instead of “please” when asking for the peas), she sends him to Ms. Bottoms. He drives Ms. Bottoms to distraction, but at home, just for his mother, he becomes the picture of decorum. Momma Mutton wins a staring contest with a well-timed toot (yes, that kind of toot). And so on. General hilarity follows in his trotter-steps. Proimos here collects his three previously published Johnny Mutton titles and adds a short new comic and a foolish interview to complete the adventures of his enthusiastic, idiosyncratic ovine hero. The full-color graphic panels are stagy and cartoony and silly in just the right way.

Fifteen graphic stories collected in one tight package for a new generation of fans. (Graphic collection. 6-10)

Pub Date: Oct. 7, 2014

ISBN: 978-0-544-32404-6

Page Count: 160

Publisher: HMH Books

Review Posted Online: July 16, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

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DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamilton and Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 14, 2018

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Elevates the graphic novel genre with its heartfelt focus on mental health and immigrant experiences.

LIVING WITH VIOLA

Do you have a voice in your head telling you to doubt your self-worth?

Enter Chinese Canadian Olivia Siu Leen Tong. She loves art, books, and making dumplings with her mom, but she struggles with being carefree and happy like her peers. Even harder, her parents enroll her in a new, better middle school, where she struggles to make friends. As immigrants from Hong Kong, her parents have sacrificed so much to give her opportunities, but with this come high expectations to be the perfect daughter. All the pressure causes her self-doubt to manifest as Viola, a shadowy version of herself. Viola spews insidious, undermining messages, causing Livy to fall into depression and have panic attacks. Although she finally makes some good friends and even starts enjoying school, Viola lurks in the back of Livy’s mind and sabotages her at every turn. As her life starts unraveling, she must decide whether to reveal her secrets and ask for help. In a debut inspired by her own life, Fung uses bold illustrations in warm shades of red and orange; whenever Viola appears, the palette darkens to purples and grays as swirling, negative thought bubbles overwhelm Livy like waves. Fung delicately balances the heavy subject matter of mental health issues, microaggressions, identity, cultural differences, and belonging with humor and heart.

Elevates the graphic novel genre with its heartfelt focus on mental health and immigrant experiences. (author’s note, Cantonese glossary, character sketches) (Graphic fiction. 9-13)

Pub Date: Nov. 30, 2021

ISBN: 978-1-77321-548-8

Page Count: 272

Publisher: Annick Press

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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DOG MAN

From the Dog Man series , Vol. 1

What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.

Finding a stack of old Dog Man comics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.

What a wag. (Graphic fantasy. 7-9)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-58160-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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