Racial and cultural stereotypes accompanied by an ill-constructed plot do a disservice to young readers unfamiliar with this...

THE DEVIL'S DEN

It’s 1881, and Brody Martin and his adult Cherokee friend, Joseph, are on the run in Indian Territory.

Joseph’s son, Todd, is hidden away with Brody’s parents after an attack by a “madman” in the previous book of this trilogy, The Devil’s Trap (2011). Brody needs to go warn his best friend, Ames, an adult African-American man, that there are bounty hunters looking for the both of them due to an unfortunate run-in with the nefarious Miller family. Concerned for Brody’s safety, Joseph asks his elderly father, Wolf Jaw, to travel with Brody for protection. Wolf reluctantly agrees even though he doesn’t trust white people or speak English—in fact, he doesn’t show any emotion when Brody tries to communicate with him. Much action involving bounty hunters ensues. Babb takes late-1800s Arkansas and lays on it a tale featuring weak, stereotypical portrayals of African-Americans and Native Americans who play supporting roles for the white male protagonist. Instead of referring to these characters by name, they are often referred to as “the black man” or “the Indian.” Though all of these characters live within the same region, the African-American characters speak in dialect (“I knowed they was a bounty out”) while their fellow Arkansans do not. Wolf dons war paint and whoops for no apparent reason other than adding exotic flavor.

Racial and cultural stereotypes accompanied by an ill-constructed plot do a disservice to young readers unfamiliar with this time period. (Historical fiction. 12-14)

Pub Date: Oct. 1, 2017

ISBN: 978-1-945268-04-5

Page Count: 192

Publisher: Plum Street Publishers

Review Posted Online: July 2, 2017

Kirkus Reviews Issue: July 15, 2017

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Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively...

THE BOY AT THE TOP OF THE MOUNTAIN

A young boy grows up in Adolf Hitler’s mountain home in Austria.

Seven-year-old Pierrot Fischer and his frail French mother live in Paris. His German father, a bitter ex-soldier, returned to Germany and died there. Pierrot’s best friend is Anshel Bronstein, a deaf Jewish boy. After his mother dies, he lives in an orphanage, until his aunt Beatrix sends for him to join her at the Berghof mountain retreat in Austria, where she is housekeeper for Adolf Hitler and Eva Braun. It is here that he becomes ever more enthralled with Hitler and grows up, proudly wearing the uniform of the Hitler Youth, treating others with great disdain, basking in his self-importance, and then committing a terrible act of betrayal against his aunt. He witnesses vicious acts against Jews, and he hears firsthand of plans for extermination camps. Yet at war’s end he maintains that he was only a child and didn’t really understand. An epilogue has him returning to Paris, where he finds Anshel and begins a kind of catharsis. Boyne includes real Nazi leaders and historical details in his relentless depiction of Pierrot’s inevitable corruption and self-delusion. As with The Boy in the Striped Pajamas (2006), readers both need to know what Pierrot disingenuously doesn’t and are expected to accept his extreme naiveté, his total lack of awareness and comprehension in spite of what is right in front of him.

Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively simple reading level. (Historical fiction. 12-14)

Pub Date: June 7, 2016

ISBN: 978-1-62779-030-7

Page Count: 272

Publisher: Henry Holt

Review Posted Online: March 30, 2016

Kirkus Reviews Issue: April 15, 2016

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Serious themes lightened by comedic touches; the strong emotional attachments will linger with readers.

ALWAYS, CLEMENTINE

Letters from a super-intelligent mouse to the beloved chimpanzee she leaves behind when she escapes a research lab.

Poignant, loving, and threaded through with the joy of discovery, the letters that Clementine mentally composes to her gentle simian friend tell a tale that takes suspenseful turns while affirming tolerance and self-expression. Thanks to tweaked DNA, she’s thinking about prime numbers the day she is born, helps other mice navigate mazes, and figures out how to escape her cage at night and sign with the lab’s sad, affectionate chimp, Rosie. When a guilt-ridden research assistant spirits her and another mouse subject out of the lab, leaving them in a nearby mailbox, she begins a series of reports to Rosie about the wonders of the outside world. Eleven-year-old Gus and his grandfather welcome the fugitives rather than turn them in for the large reward offered by the lab when the mousenapping is discovered. They create a storm of public protest against animal experimentation by televising a chess match in which Clementine beats five experienced human players simultaneously. Along with offering an optimistic, aspirational view of human nature as she winds the story to a joyous conclusion, Sorosiak tucks in a subplot around nonverbal Hamlet, the other mouse escapee, who constructs a model of Notre Dame out of wood chips, as food for further thought about different intelligences. The human cast seems to be mostly White.

Serious themes lightened by comedic touches; the strong emotional attachments will linger with readers. (Fiction. 8-12)

Pub Date: Sept. 6, 2022

ISBN: 978-1-5362-2884-7

Page Count: 304

Publisher: Walker US/Candlewick

Review Posted Online: June 22, 2022

Kirkus Reviews Issue: July 15, 2022

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A well-knit debut generously stocked with chills, thrills, and chancy exploits.

MONSTROUS DEVICES

A young British teenager’s ordinary world takes a sudden spin to the dark side with the arrival of an antique toy robot that turns out to conceal a terrible, and terrifying, power.

Hardly has Alex unpacked the robot sent by his grandfather than he cuts himself on a sharp edge so that a little blood seeps into its workings. Cue the weirdness, starting with a homework assignment he doesn’t remember finishing and a bully who inexplicably beats a sudden retreat. It quickly escalates into a headlong flight with his grandad and a running fight with a squad of varied but uniformly scary automatons fueled themselves by blood. What’s up? Alex’s robot, it turns out, was crafted to hide a tablet inscribed with the secret name of God that Rabbi Loew used to animate his legendary golem…and nefarious parties are out to revive the clay monster for—well, nothing good. Confused, terror-stricken, and inarticulate throughout, Alex comes off as a pale character next to his creepy adversaries and, in particular, his dapper, glib, secretive, martially adroit, scene-stealing grandfather. Still, as events move along apace, he proves surprisingly resourceful. Love tucks in plenty of icky bits, along with cinematic set pieces and hairbreadth escapes, and he strews enough tantalizing hints about his protagonist’s murky past to excite interest in sequels. The human cast presents white.

A well-knit debut generously stocked with chills, thrills, and chancy exploits. (Horror/suspense/fantasy. 12-14)

Pub Date: Oct. 16, 2018

ISBN: 978-0-451-47858-0

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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