by James Rhodes ‧ RELEASE DATE: Feb. 7, 2017
A powerful story of day-to-day survival, struggle, triumph, and hope.
A noted classical pianist revisits the horrors of the abuse and rape he experienced as a little boy and rehearses the enduring effects on his life, loves, and music.
Rhodes debuts with a memoir that is, in many ways, a dark, underground cavern only intermittently permeated by shafts—and sometimes floods—of light. He divides his account into 20 “tracks,” each of which begins with rumination about a relevant classical piece for the piano, including some biographical details about the composer and information about the performance he recommends. Throughout the passionate narrative, the author examines a variety of topics, including the serial rape he experienced for five years in elementary school (painful even to read—though not overly graphic), the enduring psychological problems that ensued (he says he’s never more than “two bad weeks away from a locked ward”), the process of becoming a respected classical pianist (despite a 10-year hiatus in late adolescence/early adulthood), the events that led to the end of his first marriage (he offers numerous declarations of love for his son), his stays in mental institutions, and his fiery beliefs about the status and future of classical music. In a particularly bitter passage, Rhodes assails those whom he calls “gatekeepers,” stuffy performers, record labels, and critics whom he blames for what he sees as the moribund state of the genre. He proposes a number of solutions, and he practices what he preaches—on YouTube are a number of his performances that make his beliefs and practices particularly clear. The text is replete with dismissive profanities for those he believes have earned his disdain. There are times when Rhodes becomes a bit preachy and repetitive, but, given the haunted house in which he’s lived since boyhood, most readers will surely cut him some slack.
A powerful story of day-to-day survival, struggle, triumph, and hope.Pub Date: Feb. 7, 2017
ISBN: 978-1-63-286696-7
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: Oct. 30, 2016
Kirkus Reviews Issue: Nov. 15, 2016
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by James Rhodes ; illustrated by Martin O’Neill
by Glennon Doyle ‧ RELEASE DATE: March 10, 2020
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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SEEN & HEARD
SEEN & HEARD
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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National Book Award Winner
Pulitzer Prize Finalist
The powerful story of a father’s past and a son’s future.
Atlanticsenior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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