by James Rosone & Miranda Watson ‧ RELEASE DATE: Jan. 20, 2021
An action-packed and tech-savvy but uneven war tale.
In the near future, one nation sets in motion a plan to conquer the world in this military thriller.
In 2024, all strategically deployed pieces are in place and Project Ten is a go. China is ready to take over the world after years of slowly designing and unleashing technological advances, such as deepfakes and ultrafast and free Wi-Fi, as well as maneuvering its Communist-friendly Latin American political allies, like Cuba and Venezuela. By the time America realizes what is happening under its own nose and invokes the Monroe Doctrine, it is too late. The time has come for China to begin its nefarious plan in earnest, starting with the deployment of a new, lab-created strain of a SARS virus, Covid-24, which targets the frail and sick all over the world. The next step is a military attack. The ensuing economic and political destabilization of such world powers as the United States and the European Union should enable China to win a war to end all wars. China’s grandiose scheme includes a key component: Jade Dragon, an artificial intelligence especially created and nurtured to help the country complete this deadly mission. Who can possibly stand in the way of such a potent force? There is a lot to commend in Rosone and Watson’s plot-driven series opener that delivers plenty of action. Chapters from multiple perspectives follow a large cast of characters across many theaters of war in a fast-paced buildup to a chilling portrayal of China as a supervillain. The story’s use of technology—from the sinister AI to the problematic, very contemporary deepfakes, fake news, and data farming—is highly effective. Unfortunately, many of the players are paper-thin, nothing more than moving pieces in a puzzle whose final picture is very clearly and unabashedly pro-America. Ultimately, this thriller lacks emotional gravitas despite the number of lives tragically lost in its pages.
An action-packed and tech-savvy but uneven war tale.Pub Date: Jan. 20, 2021
ISBN: N/A
Page Count: 452
Publisher: Front Line Publishing Inc.
Review Posted Online: Dec. 13, 2022
Review Program: Kirkus Indie
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by T.C. Manning & James Rosone
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by James Rosone
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
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89
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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