CHEE-LIN

A GIRAFFE’S JOURNEY

Rumford presents the remarkable story of an African giraffe that was captured and sent to China in 1414. Based on a short mention in a medieval text, the narrative creates a fully anthropomorphized recounting of giraffe Tweega’s travails. First captured by African hunters, baby Tweega is sold to an Indian sultan, who then gifts Tweega to a Chinese emperor. The Chinese believed that a mythical animal called a chee-lin had appeared at the birth of Confucius and symbolized good fortune; hoping that Tweega is another chee-lin, the emperor keeps him until the sad animal ultimately dies of old age. Tweega understands his life through the behaviors of his caretakers, who range from caring to indifferent to cruel. The extreme anthropomorphism will either add to or detract from the experience, depending on one’s preferences. With characteristically lovely design, Rumford often places text boxes against backgrounds inspired by African, Persian or Chinese patterns, which combine with lovely paintings to evoke a flavor of the cultures and the time. An annotated map at the end graphically dramatizes Tweega’s journey. (author’s note) (Picture book. 7-10)

Pub Date: Sept. 22, 2008

ISBN: 978-0-618-71720-0

Page Count: 40

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2008

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MR. POPPER'S PENGUINS

This is rather a silly story, and I don't believe children will think it particularly funny. A paper hanger and painter finds time on his hands in winter, and spends it in reading of arctic exploration. It is all given reality when he receives a present of a penguin, which makes its nest in the refrigerator on cubes of ice, mates with a lonely penguin from the zoo, and produces a family of penguins which help set the Poppers on their feet.

Pub Date: Sept. 26, 1938

ISBN: 978-0-316-05843-8

Page Count: 139

Publisher: Little, Brown

Review Posted Online: Jan. 15, 2014

Kirkus Reviews Issue: Sept. 1, 1938

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Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

ESCAPE FROM BAXTERS' BARN

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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