by James Rumford illustrated by James Rumford ‧ RELEASE DATE: Sept. 18, 2012
An homage that is ultimately more a testament to the author-illustrator’s own bookmaking skills than paean to the inventor...
Ironically, this book honors the inventor of the printing press more through illustrations than words.
Sumptuously illustrated in the style of medieval manuscripts, this title offers fascinating descriptions of the steps and materials involved in 15th-century bookmaking. Children will savor the explanations and detailed, jewellike illustrations that clearly convey the procedures, substances and skill that went into the preparation of what the text calls a "mysterious thing." Each process and component is discussed on a page that ends in a riddle, answered on a facing page. When Gutenberg (German for from the good mountain) enters, it’s almost anticlimactic. Still, his printing press’s success and the illumination and binding of his first efforts are lucidly related, and a sample page is illustrated. Only on the final page of the story does the author confirm what the press actually produced. Overall, adults will likely be more captivated than children, having greater perspective on and appreciation for what Gutenberg brought forth; no explanation for how Gutenberg’s innovation changed the world is presented for youngsters. However, even adults will be frustrated by the lack of glossary and sources. Young readers desiring further information are given a list of terms to search for on the Internet, though this seems a frail substitute.
An homage that is ultimately more a testament to the author-illustrator’s own bookmaking skills than paean to the inventor of movable type. (epilogue, key search terms) (Picture books/biography. 7-10)Pub Date: Sept. 18, 2012
ISBN: 978-1-59643-542-1
Page Count: 40
Publisher: Neal Porter/Flash Point/Roaring Brook
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Rie Neal ; illustrated by Talitha Shipman ‧ RELEASE DATE: July 5, 2022
An exuberant portrayal of a girl with hearing restrictions reaching for the stars.
Astrid, a spunky, smart California third grader, has great aspirations.
She will become “the first astronaut with hearing aids,” a possibility that is treated very naturally within this story, the first in a new chapter book series. Joining the Shooting Stars, an after-school club devoted to all things space, has long been part of Astrid’s “Astronomically Grand Plan.” Though Astrid wants to go to space camp, it’s expensive, but a scholarship is available for the Shooting Stars student who earns the most points for completing the STEM-oriented Astro Missions. She discovers another problem when she realizes that her best friend, Hallie, is more interested in art than in STEM and joins the Petite Picassos club. How can Astrid navigate Shooting Stars without her BFF, especially when she and her teammate Veejay don’t start out well? Club teacher Ms. Ruiz stresses creativity and partnership, and math and science enthusiasts will be attracted to this book, but the real emphasis is on relationships. Astrid must befriend Hallie again after voicing her disappointment with her interests and learn to be a good teammate. Astrid is likable, and her story, told in first person, realistically explores her hearing issues, her initial problem-solving failures, and her successes. Black-and-white illustrations depict Astrid (wearing her hearing aids) and her family as light-skinned, though other students appear to be racially diverse, and Hallie is cued as Asian.
An exuberant portrayal of a girl with hearing restrictions reaching for the stars. (Chapter book. 7-10)Pub Date: July 5, 2022
ISBN: 978-1-5344-8148-0
Page Count: 112
Publisher: Aladdin
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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by Victor Hinojosa & Coert Voorhees ; illustrated by Susan Guevara ‧ RELEASE DATE: July 7, 2020
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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