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THE ECHO

Nicely written and thoughtful, but two more of these literary variations on a morbid theme may be far too much of the same...

Dysfunctional…People…in…Spaaaace! For the second time in a projected four-book series, Smythe demonstrates why it’s a bad idea to shut up virtual strangers in a tin can with an unclear directive.

The Ishiguro vanished on its journey to examine an anomalous area of space. Readers of The Explorer (2013) know that everyone died except for journalist Cormac Easton, trapped within the anomaly and looped in time, observing the tragedy over and over. Twenty-three years later, scientist twins Tomas and Mira Hyvönen head a new mission to explore the anomaly. Tomas remains on Earth at ground control while Mira, the narrator, travels aboard the spaceship Lära. Mira is physically, socially and emotionally clumsy, ill-suited to heading an expedition into unknown territory. The brothers believe they have considered every contingency, that their mission will succeed where the previous one did not. Of course, things go terribly wrong—again and again—as the crew becomes ensnared in their own series of devastating time loops. Both novels in the series resemble a bleak cross between Jean-Paul Sartre’s No Exit and the film Groundhog Day. These works share a common theme—that the protagonists’ psychological problems and moral failings led to their predicament; the only way to escape is to confront those problems and strive for redemption. Sadly, Mira is no Bill Murray.

Nicely written and thoughtful, but two more of these literary variations on a morbid theme may be far too much of the same for readers.

Pub Date: Jan. 28, 2014

ISBN: 978-0-06-228728-1

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 24, 2013

Kirkus Reviews Issue: Jan. 15, 2014

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THE LAST HUMAN

A flawed but satisfying SF adventure that is, at times, mind-blowing.

Jordan’s ambitious debut novel is an epic science-fiction adventure that chronicles the journey of an orphaned Human girl—believed to be the last member of an extinct species—from interstellar pariah to potential savior of her infamous race.

Sarya the Daughter lives with her adopted mother, Shenya the Widow—a giant, spiderlike “apex predator…wrapped in lightning and darkness”—on an orbital water-mining station in the rings of a giant gaseous planet. As a citizen of the Network, a vast accumulation of intelligence consisting of millions of species that has enabled faster-than-light travel and prevented conflict for a half-billion years, Shenya has protected Sarya and lied about her true identity: She is a Human, the one race destroyed by the Network because of its destructive tendencies. But when a bounty hunter attempts to abduct Sarya and her home is destroyed, the little Human finds herself on the run and all alone in a universe inhabited by godlike intelligences who may be using her as a pawn in a much deeper game. As she learns more about her race’s tumultuous relationship with the Network, she begins to realize that even one small, moderately intelligent bipedal being can make a difference, even when it involves conflicts with godlike entities. The sheer scope of the story is noteworthy, from the various intelligence tiers, which include groupminds and sentient planets, to the colossal settings (orbital stations, spaceships, the end of the universe, etc.). The theme of free will also packs a powerful punch. But while the grand-scale premise of the narrative is laudable, the story gets unwieldy in places, and the momentum suffers. Additionally, Sarya—while an intriguing character—never becomes fully three-dimensional, and the emotional impact of her journey feels muted and detached, overshadowed by the massiveness of the story unfolding around her.

A flawed but satisfying SF adventure that is, at times, mind-blowing.

Pub Date: March 24, 2020

ISBN: 978-0-451-49981-3

Page Count: 448

Publisher: Del Rey

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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NEVERNIGHT

A sensuous, shades-of-moral-gray world; a compelling, passionate heroine; a high-stakes quest for revenge—this is a fantasy...

A dark and bloody fantasy about a young woman bent on revenge—at almost any price.

Mia Corvere was 10 years old when she watched her father be hanged as a traitor, saw her mother and infant brother hauled away to die in prison, and escaped death herself at the hands of two trained Luminatii soldiers. She’s darkin, which means she can control shadows, and her constant companion, a cat made of shadows, drinks her fear. But even that won’t be enough to get the revenge she craves on the powerful men who destroyed her family. That’s why she’s traveled out to the ends of civilization to gain entry to the Red Church, where “the greatest enclave of assassins in the known world” worships the goddess of night, Niah, “Our Lady of Blessed Murder.” If she can get inducted into the Red Church, she’ll have the skills she needs to exact her revenge. She just has to survive her training—at the hands of the world’s most deadly, amoral assassins. Kristoff (Illuminae, 2015, etc.) comes on strong from the start, creating a shadowy world dripping with blood, in which our feisty, determined heroine must claw her way to the top of a deadly pecking order. Mia manages to find connection and even caring in the black pit of the Red Church—but how long can it last?

A sensuous, shades-of-moral-gray world; a compelling, passionate heroine; a high-stakes quest for revenge—this is a fantasy fans won’t be able to put down.

Pub Date: Aug. 9, 2016

ISBN: 9781250073020

Page Count: 384

Publisher: St. Martin's

Review Posted Online: July 18, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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