by James Snyder James Snyder ‧ RELEASE DATE: Dec. 16, 2004
A fast-paced, sometimes uneven, thoroughly engrossing story of a journey through pain and violence.
In this military thriller, a boy grows to maturity with violence, first at home, as its victim, and, finally, through martial arts and the military, as its master.
As a child in the 1960s, Paul Brett was often beaten by his vicious, drunk father. On his paper route he meets a man named Draeger, who teaches him pentjak silat—Indonesian martial arts. By the end of high school, Paul masters the techniques of this discipline. A run-in with the law leads him to enlist in the Army. He ends up in Vietnam with the Green Berets, operating secretly behind enemy lines in Laos. One mission goes horribly wrong; Paul goes AWOL, but he’s captured and thrown into a military prison in Maine, where he has to fight for his life to survive. This book is hard to put down, and at times, especially during scenes set in Vietnam, the realism is startling and palpable. The challenges of Paul’s life—emotional, physical and psychological—are compelling. First-time novelist Snyder uses a spare, direct vocabulary for the action scenes, though he sometimes switches to an elevated tone (“fathomless despair,” “mother’s watery womb”) that jars. And there are narrative gaps. After Paul begins his martial arts training, any mention of his home life ceases until many years have passed, including a pivotal incident when he first confronts his father’s abuse. After Draeger dies, Paul drops martial arts, an important part of his identity, and pentjak silat isn’t mentioned again until he is in prison, many years later. The fight scenes at the prison mostly take the form of visions, presented via various images, but are sketched with too little description of the physical confrontations.
A fast-paced, sometimes uneven, thoroughly engrossing story of a journey through pain and violence.Pub Date: Dec. 16, 2004
ISBN: 978-0741423207
Page Count: 332
Publisher: Infinity Publishing
Review Posted Online: Oct. 21, 2013
Review Program: Kirkus Indie
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BOOK REVIEW
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; translated by Margaret Jull Costa
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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