In Santa's up-to-the-minute workshop, video games beep, battery-operated toys are the order of the day, and Blitzen has been replaced by a female reindeer, Josephine. Only Elwyn clings to the low-tech handmade playthings of the past, and he's so behind the times (his most recent calendar ``said 1984'') that he misses Santa's sleigh by 20 minutes. Elwyn's toy sack lies buried in the snow until Blitzen rallies the elf for a toy-delivery mission of their own. Of course, their path crosses Santa's and he welcomes the latecomers: ``Never too late for toys.'' Created by an elf who's no where near Elwyn's age, this Christmas fantasy is written with sweetness and wit, infused with nostalgia for the good old days, and brimming with appeal for the good old now. (Picture book. 5+)
Pub Date: Oct. 1, 1996
ISBN: 0-688-13755-5
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1996
BOOK REVIEW
BOOK REVIEW
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
The annual classroom exchange of valentines is the backdrop for this engaging story about retaliation. Gilbert remembers how hurt he felt when Lewis tweaked his nose and when Margaret made fun of his glasses. So when he's faced with 15 blank valentine cards, each one waiting for a poem, he decides to hurt them in return. ``Roses are red, you wet your bed. I think that you have rocks in your head,'' goes to Margaret (he signs it ``Lewis''), while Lewis's card carries the sentiments of the book's title (Gilbert signs that one ``Margaret''). Gilbert feels remorse, however, upon receiving pleasant valentines from both of them, and his regret is compounded when his deceit is discovered and he is shunned by the class. An apology and two new poems from Gilbert patch things up in time for the Valentine's Day party. These hazardous waters of handing out valentines are negotiated by a cast of animals whose emotional toils will closely mirror readers' own. DeGroat pens a sympathetic look at the small hurts in life and the importance of second chances. (Picture book. 5+)
Pub Date: Feb. 1, 1996
ISBN: 0-688-13604-4
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
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