After appearing for years in small journals, these wonderful pieces have finally been brought together in a delicious...
The National Book Award and Pulitzer Prize winner poet goes narrative with a vast pantheon of dimensional characters and quiet fables.
Once upon a time the 45 stories in this collection would have been called short-shorts or “sudden” fiction. In general, Tate’s lovely little pieces transcend the objective of synopsis, but here’s a sampling: “The North Country” details a man’s encounter with paranoia at a distant resort; in “Robes,” a boy’s naiveté begins to crumble when the tallest nun in the world comes to town; “Suite 1306” tells of a drunken businesswoman in a man’s world who sells herself for $1,000 on a whim; a young video store manager contends with sagging ambition in “The Torque-Master of Advanced Video”; “The Journey West” confronts a man with the futility of life in a fantasy of a road trip taken with his dying wife; and “Our Country Cousins” plays on town mouse/country mouse clichés when a rural couple encounters the horror of a highbrow potluck dinner. That’s just the beginning. There are also sadistic cocker spaniels, abandoned llamas, seductresses, presidents, power-mongers, horny doctors, Tourette’s victims, the dying, the dead, and the catatonic, both emotional and literal. These characters are not writers in disguise; they’re real people, their language is real, and their tales have a kind of stealth lyricism. These are stories only in the sense that they are narratives: plot is just a sheen, their soul is poetry. Thematic concerns are broad, but most often an absurd premise leads to the unexpected magic of a docile humanity. Tate is brave enough to avoid standard narrative pyrotechnics, and there are shades of Paul Bowles, Grace Paley, and sometimes Raymond Carver.
After appearing for years in small journals, these wonderful pieces have finally been brought together in a delicious smorgasbord.Pub Date: Dec. 1, 2001
ISBN: 0-9703672-5-2
Page Count: 240
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2001
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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