In the spirit of Johnson's poetic voice, which Ransome describes as ``influenced by the...imagery of nineteenth-century African-American plantation preachers,'' the romantic, sun- dappled paintings here are more literal than Carla Golembe's striking, boldly stylized art for her edition (1993) of this splendid verse retelling by the well-loved poet. Pictures of an African-American preacher and his rapt audience of children alternate with handsome full-bleed spreads depicting the six days of creation: what might be the Grand Canyon; a stream rushing through rocks; a blossom-strewn forest floor beside the stream; and so on, to a dark man among the flowers. Rhythmic friezes of animals adorn the text pages of this carefully structured, realistic presentation. The style could hardly be more different from Golembe's: less provocative, more conventional and accessible, yet also painted with real artistry and conviction. It's a measure of the poem's quality that it inspires such a rich variety of responses. (Poetry/Picture book. 4+)
Pub Date: April 15, 1994
ISBN: 0-8234-1069-2
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1994
Categories: CHILDREN'S RELIGIOUS FICTION
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The comical longings of little girls who want to be big girls—exercising to the chant of "We must—we must—increase our bust!"—and the wistful longing of Margaret, who talks comfortably to God, for a religion, come together as her anxiety to be normal, which is natural enough in sixth grade.
And if that's what we want to tell kids, this is a fresh, unclinical case in point: Mrs. Blume (Iggie's House, 1969) has an easy way with words and some choice ones when the occasion arises. But there's danger in the preoccupation with the physical signs of puberty—with growing into a Playboy centerfold, the goal here, though the one girl in the class who's on her way rues it; and with menstruating sooner rather than later —calming Margaret, her mother says she was a late one, but the happy ending is the first drop of blood: the effect is to confirm common anxieties instead of allaying them. (And countertrends notwithstanding, much is made of that first bra, that first dab of lipstick.) More promising is Margaret's pursuit of religion: to decide for herself (earlier than her 'liberal' parents intended), she goes to temple with a grandmother, to church with a friend; but neither makes any sense to her—"Twelve is very late to learn." Fortunately, after a disillusioning sectarian dispute, she resumes talking to God…to thank him for that telltale sign of womanhood.
Which raises the last question: of a satirical stance in lieu of a perspective.Pub Date: Oct. 1, 1970
ISBN: 978-1-4814-1397-8
Page Count: 157
Publisher: Bradbury
Review Posted Online: Oct. 15, 2011
Kirkus Reviews Issue: Oct. 1, 1970
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S RELIGIOUS FICTION
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PERSPECTIVES
BOOK TO SCREEN
In sixth grade, Izzy Mancini’s cozy, loving world falls apart.
She and her family have moved out of the cottage she grew up in. Her mother has spent the summer on Block Island instead of at home with Izzy. Her father has recently returned from military service in Afghanistan partially paralyzed and traumatized. The only people she can count on are Zelda and Piper, her best friends since kindergarten—that is, until the Haidary family moves into the upstairs apartment. At first, Izzy resents the new guests from Afghanistan even though she knows she should be grateful that Dr. Haidary saved her father’s life. But despite her initial resistance (which manifests at times as racism), as Izzy gets to know Sitara, the Haidarys’ daughter, she starts to question whether Zelda and Piper really are her friends for forever—and whether she has the courage to stand up for Sitara against the people she loves. Ferruolo weaves a rich setting, fully immersing readers in the largely white, coastal town of Seabury, Rhode Island. Disappointingly, the story resolves when Izzy convinces her classmates to accept Sitara by revealing the Haidarys’ past as American allies, a position that put them in so much danger that they had to leave home. The idea that Sitara should be embraced only because her family supported America, rather than simply because she is a human being, significantly undermines the purported message of tolerance for all.
A beautifully rendered setting enfolds a disappointing plot. (Fiction. 10-12)Pub Date: Feb. 4, 2020
ISBN: 978-0-374-30909-1
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY | CHILDREN'S RELIGIOUS FICTION
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