In the spirit of Johnson's poetic voice, which Ransome describes as ``influenced by the...imagery of nineteenth-century African-American plantation preachers,'' the romantic, sun- dappled paintings here are more literal than Carla Golembe's striking, boldly stylized art for her edition (1993) of this splendid verse retelling by the well-loved poet. Pictures of an African-American preacher and his rapt audience of children alternate with handsome full-bleed spreads depicting the six days of creation: what might be the Grand Canyon; a stream rushing through rocks; a blossom-strewn forest floor beside the stream; and so on, to a dark man among the flowers. Rhythmic friezes of animals adorn the text pages of this carefully structured, realistic presentation. The style could hardly be more different from Golembe's: less provocative, more conventional and accessible, yet also painted with real artistry and conviction. It's a measure of the poem's quality that it inspires such a rich variety of responses. (Poetry/Picture book. 4+)
Pub Date: April 15, 1994
ISBN: 0-8234-1069-2
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The thoughtless words of childhood become the focus of the narrator's haunted memories of WW II. Helen recalls the events of her ninth birthday in occupied France in 1942. Lydia, her best friend, comes over to spend the night, and they amuse themselves by telling ghost stories. When a stranger wearing a yellow star like Lydia's comes looking for a place to hide, Lydia suddenly wants to go home. Helen is angry and shouts to the departing girl that she is not her friend anymore. The next day Lydia and her family have disappeared. The simple storyline brings together a complex combination of elements—ghost stories and fights between friends who suddenly find themselves in the context of war—all of which are penetrated by an equally complex narratorial voice, capable of differentiating among subtle shades of emotion. It belongs both to the old woman telling the story and to the nine-year-old girl she was. As a result of this layering of perspective, the characters and story have depth through minimal means (sketchy details, snatches of conversation). This is even more effective in the wondrous pictures. In her first book, Kang's palette contains only browns, grays, yellows, and redsmuted colors, forming the geometric interiors of barren apartments. If the individual colors and shapes in the pictures are simple, as a whole they create an intensely expressive atmosphere. (Picture book. 7-10)
Pub Date: May 8, 1995
ISBN: 0-8027-8373-2
Page Count: 32
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
BOOK REVIEW
With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked...
From a debut author-and-illustrator team comes a glimpse into a young American Muslim girl’s family and community as she walks around in “Mommy’s khimar,” or headscarf.
The star of this sunny picture book is a young girl who finds joy in wearing her mother’s khimar, imagining it transforms her into a queen, a star, a mama bird, a superhero. At the core of the story is the love between the girl and her mother. The family appears to be African-American, with brown skin and textured hair. The girl’s braids and twists “form a bumpy crown” under the khimar, which smells of coconut oil and cocoa butter. Adults in her life delight in her appearance in the bright yellow khimar, including her Arabic teacher at the mosque, who calls it a “hijab,” and her grandmother, who visits after Sunday service and calls out “Sweet Jesus!” as she scoops her granddaughter into her arms. Her grandmother is, apparently, a Christian, but “We are a family and we love each other just the same.” The illustrations feature soft pastel colors with dynamic lines and gently patterned backgrounds that complement the story’s joyful tone. The words are often lyrical, and the story artfully includes many cultural details that will delight readers who share the cheerful protagonist’s culture and enlighten readers who don’t.
With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked cultural group . (Picture book. 4-8)Pub Date: April 3, 2018
ISBN: 978-1-5344-0059-7
Page Count: 40
Publisher: Salaam Reads/Simon & Schuster
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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