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A BETTER ENDING

A BROTHER'S TWENTY-YEAR QUEST TO UNCOVER THE TRUTH ABOUT HIS SISTER'S DEATH

A sometimes uneven but ultimately provocative read.

A whodunit that hits close to home.

Novelist Thomson began work on this book about the death of his younger sister, Eileen, in 2001, more than two decades after her alleged suicide in September 1974. While attempting to fictionalize the tragedy, he had a sudden realization: There was no reason to believe the official story that, feeling remorse over an affair and guilt over two miscarriages, Eileen had shot herself in the heart during a heated argument with her husband, Vic, a police officer. One discordant fact about the incident gnawed at him: His parents had received a hopeful letter from Eileen, written and sent on the day of her death, giving no indication that she was feeling suicidal. Deciding he was writing about his own long-suppressed doubts about the case, Thomson hired a private investigator in Los Angeles (the death occurred 60 miles east, in San Bernardino) to try to get at the truth. What they find in the record and interviews of surviving witnesses shakes Thomson to his core. He begins to question not only the facts he had long trusted but also the flaws in his own character that made him trust those facts for so long. He sees parallels in his own history—alcoholism, adultery, domestic violence—echoing in Eileen’s tragically short life. These ruminations and doubts give this memoir a depth lacking in many true-crime stories. Parts of the book closely resemble that genre in tone and atmosphere and leave the reader guessing up to the climatic confrontation between Thomson and his former brother-in-law at a Seattle restaurant in 2004. The tortured, philosophical self-examination can sometimes feel like another book entirely, but it’s essential to the book’s arguments about the nature of truth and the dread of uncertainty.

A sometimes uneven but ultimately provocative read.

Pub Date: March 25, 2025

ISBN: 9781668062869

Page Count: 304

Publisher: Avid Reader Press

Review Posted Online: Jan. 17, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE MINOTAUR AT CALLE LANZA

An intriguing but uneven family memoir and travelogue.

An author’s trip to Venice takes a distinctly Borgesian turn.

In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.

An intriguing but uneven family memoir and travelogue.

Pub Date: April 2, 2024

ISBN: 9781953368669

Page Count: 144

Publisher: Belt Publishing

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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