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WARRIOR DREAMS

PARAMILITARY CULTURE IN POST-VIETNAM AMERICA

Powerful, deadly trends now present in US society are traced to a loss of male self-esteem and national pride following our defeat in Vietnam — in this fluid, captivating analysis from Gibson (Sociology/California State University; The Perfect War, 1986). Claiming the "New War" mentality as a fresh wrinkle in the fabric of post-Vietnam America — in which killing capacity via new technology merges with traditions of a warrior's solo pursuit of guts and glory — Gibson's evidence is compelling. When Soldier of Fortune magazine premiered in 1975, New Warriors gained both an advocate and an outlet for their dreams, and the annual SOF convention in Las Vegas became a perfect training ground. Likewise, the "action-adventure" genre achieved new popularity as Sylvester Stallone and Clint Eastwood updated the John Wayne warrior in movies, while reams of visceral, macho fiction titillated male readers. Used by such heroes, handguns and similar weapons became the rage; facilities like Arizona's Gunsite Ranch taught the art of shooting-to-kill to cops and Rambo wannabes, while paramilitary groups like Aryan Nation prospered. In the 80's, unfortunately, with mercenary options few and US conflicts limited, the lust for lethal encounters to prove one's manhood was vented on innocent citizens, and incidents of mass-murder rose accordingly. Society is fighting back — in the form of gun-control legislation and lawsuits — but nothing less than an overhaul of family structure and gender roles is seen as a lasting solution. Tightly knit, wide-ranging, and well researched — with Gibson's own experience as a Gunsite Ranch trainee recounted: a profoundly troubling assessment of America at risk.

Pub Date: Feb. 1, 1994

ISBN: 0809015781

Page Count: 384

Publisher: Hill and Wang/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1994

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REVOLUTION IN THE HEAD

THE BEATLES' RECORDS AND THE SIXTIES

An ideal pathfinder on the Beatles' long and winding road from moptops to magi—insightful, informative, contentious, and as ambitious and surprising as its heroes. Popular music criticism is often a thankless task, falling uneasily between mindless hype and lugubrious academicism. MacDonald, former deputy editor of New Musical Express, adroitly bridges that gap, taking the factual chassis—recording session data, itineraries, etc.—laboriously assembled by Beatlemaniacs like Mark Lewisohn and bringing to bear a fan's enthusiasm, a musicologist's trained ear, and a critic's discernment to produce the most rigorous and reliable assessment of the Beatles' artistic achievement to date. Advancing chronologically through the songs, MacDonald provides an encyclopedic wealth of biographical, musical, and historical detail, yet always keeps his eyes on the prize—the uniquely rich elixir the group distilled from these disparate elements. He considers the Beatles on their own musical and cultural terms, taking his cue from contemporary influences (rhythm-and-blues, soul, and the supercharged social crucible of the '60s), rather than straining for highbrow parallels in Schoenberg or Schubert—you'll find no reference to the infamous ``Aeolian cadences'' of ``This Boy'' here. MacDonald makes no bones about his own critical convictions: He prefers the artful structures of pop, its ``energetic topicality'' that ``captures a mood or style in a condensed instant,'' to rock's ``dull grandiosity,'' a shift he attributes to a general retreat since the '60s away from depth and craftsmanship into spectacle and sensation. Accordingly, he champions the pop classicism of the Beatles' early-middle period, culminating in Revolver and Sgt. Pepper, and in his most memorably acerbic passages deplores the rockist leanings of their later work: ``Helter Skelter,'' for instance, is dismissed as ``ridiculous, McCartney shrieking weedily against a backdrop of out-of-tune thrashing.'' The ultimate Beatles Bible? Certainly a labor of love, and all the more valuable for holding the Fabs to the highest critical standards.

Pub Date: Sept. 1, 1994

ISBN: 0-8050-2780-7

Page Count: 256

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

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THE KEYS TO THE KINGDOM

THE FS-X DEAL AND THE SELLING OF AMERICA'S FUTURE TO JAPAN

Freelance journalist Shear arrestingly reconstructs a notably bad bargain the US struck with Japan during a period when, despite an immense trade deficit, Washington was willing to pay almost any price to keep the island nation on its side in the Cold War. Drawing on interviews with key players, a wealth of government documents, and contemporary news reports, Shear offers a tellingly detailed, chronological account of how Japan, after almost a decade of effort dating back to the early 1980s, largely got its way on the co-development of the FS-X, an experimental support fighter plane, for the country's militia-like defense forces. The resultant program, the author argues, could give Japan the advanced technology and know-how it needs to become a world-class competitor in aerospace/avionics markets long dominated by American suppliers like Boeing, General Dynamics, and McDonnell Douglas. While his worst-case scenario—that Japan will snatch a sizeable chunk of this crucial export business—remains to be proved, Shear does a fine job of explaining how the steely resolve of career bureaucrats and intra-agency conflicts can influence, even shape or deform, the policy judgments of elected legislators. He also contrasts the patient, end-in-view nationalism of Dai Nihon's single-minded mandarins with the tactical frenzies of US pols who, though not unmindful of economic consequences, tend to favor expedient solutions to epidemic problems. Covered as well are the commercial implications for American industry, whose decisive edge in state- of-the-art software may have been squandered in the cause of a patron/protÇgÇ alliance whose rationale has long since been overtaken by events. A cautionary tale that goes a long way toward clarifying why ``East is East, and West is West, and never the twain shall meet.'' (Author tour)

Pub Date: Sept. 1, 1994

ISBN: 0-385-47353-2

Page Count: 336

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

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