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THE KEYS TO THE KINGDOM

Name: THE KEYS TO THE KINGDOM
Author: Jeff Shear
ISBN: 0-385-47353-2

THE FS-X DEAL AND THE SELLING OF AMERICA'S FUTURE TO JAPAN

by Jeff Shear ‧ RELEASE DATE: Sept. 1, 1994

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Freelance journalist Shear arrestingly reconstructs a notably bad bargain the US struck with Japan during a period when, despite an immense trade deficit, Washington was willing to pay almost any price to keep the island nation on its side in the Cold War. Drawing on interviews with key players, a wealth of government documents, and contemporary news reports, Shear offers a tellingly detailed, chronological account of how Japan, after almost a decade of effort dating back to the early 1980s, largely got its way on the co-development of the FS-X, an experimental support fighter plane, for the country's militia-like defense forces. The resultant program, the author argues, could give Japan the advanced technology and know-how it needs to become a world-class competitor in aerospace/avionics markets long dominated by American suppliers like Boeing, General Dynamics, and McDonnell Douglas. While his worst-case scenario—that Japan will snatch a sizeable chunk of this crucial export business—remains to be proved, Shear does a fine job of explaining how the steely resolve of career bureaucrats and intra-agency conflicts can influence, even shape or deform, the policy judgments of elected legislators. He also contrasts the patient, end-in-view nationalism of Dai Nihon's single-minded mandarins with the tactical frenzies of US pols who, though not unmindful of economic consequences, tend to favor expedient solutions to epidemic problems. Covered as well are the commercial implications for American industry, whose decisive edge in state- of-the-art software may have been squandered in the cause of a patron/protÇgÇ alliance whose rationale has long since been overtaken by events. A cautionary tale that goes a long way toward clarifying why ``East is East, and West is West, and never the twain shall meet.'' (Author tour)

Pub Date: Sept. 1, 1994

ISBN: 0-385-47353-2

Page Count: 336

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.