A magnificent, norm-shattering work.
A memoir of sexual violence told in four parts.
Between 2012 and 2014, Hood was raped three times, a devastatingly condensed succession of assaults connected only by their victim. Each of these incidents anchors a section of Hood’s text, which shifts from third to first to second person as the author tries to make sense of the before, during, and after of these cuts of trauma. With bracing detail, a practiced poetic consciousness, and something like foreboding mysticism, she excavates the layers of both her personal experience and what it reflects about sexualized violence against women generally and transwomen in particular. Hood leans into both the horror of the acts and the chaos of the fallout between them, marked with excessive drinking and drug use, starvation, and casual and risky sex—and by increasing dissociation and despair. The specific, palpable darkness of her telling holds the reader’s gaze on Hood’s individual story even as she pitches these details against a broader social inquiry that acknowledges the ubiquity and dailiness of rape and trauma. Her fourth, final section gathers around her work to process and name what happened to her as rape, synthesizing and situating these most recent experiences of sexual violence within her history and identity. Here, the artistic intentionality of Hood’s narration meets the genius of her project. She is strikingly aware of the landscape of literary confessional, regarding rape in particular, into which she is preparing to release her story and sits on a plane of meta-analysis that not only considers womanhood, sensuality, and victimization, but also closely inspects how these things are spoken and written about. She deftly carves into the tensions between particularity and exceptionality, arc and causality, how we tell stories of suffering and why we tell them to reimagine her personhood and reorient readers toward empathy.
A magnificent, norm-shattering work.Pub Date: March 25, 2025
ISBN: 9780593700976
Page Count: 272
Publisher: Pantheon
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
