A magnificent, norm-shattering work.
A memoir of sexual violence told in four parts.
Between 2012 and 2014, Hood was raped three times, a devastatingly condensed succession of assaults connected only by their victim. Each of these incidents anchors a section of Hood’s text, which shifts from third to first to second person as the author tries to make sense of the before, during, and after of these cuts of trauma. With bracing detail, a practiced poetic consciousness, and something like foreboding mysticism, she excavates the layers of both her personal experience and what it reflects about sexualized violence against women generally and transwomen in particular. Hood leans into both the horror of the acts and the chaos of the fallout between them, marked with excessive drinking and drug use, starvation, and casual and risky sex—and by increasing dissociation and despair. The specific, palpable darkness of her telling holds the reader’s gaze on Hood’s individual story even as she pitches these details against a broader social inquiry that acknowledges the ubiquity and dailiness of rape and trauma. Her fourth, final section gathers around her work to process and name what happened to her as rape, synthesizing and situating these most recent experiences of sexual violence within her history and identity. Here, the artistic intentionality of Hood’s narration meets the genius of her project. She is strikingly aware of the landscape of literary confessional, regarding rape in particular, into which she is preparing to release her story and sits on a plane of meta-analysis that not only considers womanhood, sensuality, and victimization, but also closely inspects how these things are spoken and written about. She deftly carves into the tensions between particularity and exceptionality, arc and causality, how we tell stories of suffering and why we tell them to reimagine her personhood and reorient readers toward empathy.
A magnificent, norm-shattering work.Pub Date: March 25, 2025
ISBN: 9780593700976
Page Count: 272
Publisher: Pantheon
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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