by Jamie Korngold & illustrated by Julie Fortenberry ‧ RELEASE DATE: Sept. 1, 2011
Blessings abound for the autumnal holiday, with these happy kids and (behind the scenes) grateful parents.
A resourceful big sister and helpful little brother set up breakfast in the family's newly decorated Sukkah and figure out a way to quietly enjoy it with some good friends while parents sleep.
Early risers on this Sukkot morning, Sadie and Ori are very excited, but they know they must not wake their parents. Admiring their decorative handiwork on the Sukkah they built last night, the siblings decide to bring breakfast out to the festive hut. Working together, they prepare a tray—“Sadie got the cereal. / Ori got the spoons. / Ori got the bowls. / Sadie got the milk.” And when juice, challah rolls, cups and napkins make the tray too heavy, then—“Sadie got the juice. / Ori got the cups. / Ori got the napkins. / Sadie got the challah rolls,” each bringing an item out to the Sukkah table, setting up “an elegant breakfast.” Seeking to complete the experience with the required invited guests for this holiday meal, Sadie and Ori fill seats at their Sukkah table with a menagerie of favorite stuffed animal friends. Lively, colorful illustrations depict these independently capable preschoolers performing tasks with active joy, care and assurance, deftly matching the unadorned, sprightly text.
Blessings abound for the autumnal holiday, with these happy kids and (behind the scenes) grateful parents. (note) (Picture book. 3-6)Pub Date: Sept. 1, 2011
ISBN: 978-0-7613-5647-9
Page Count: 24
Publisher: Kar-Ben
Review Posted Online: Aug. 9, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by Jamie Korngold ; illustrated by Julie Fortenberry
by Jamie Korngold ; illustrated by Julie Fortenberry
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Oct. 4, 2016
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)
Wallace and Elkerton continue their series about catching elusive mythical creatures (How to Catch a Leprechaun, 2016, etc.) with this Christmas story about an elf who must avoid traps constructed by children before Santa’s annual visit.
The unnamed elf narrator is the sole helper traveling with Santa on his delivery rounds on Christmas Eve, with each house featuring a different type of trap for elves. The spunky elf avoids a mechanical “elf snatcher,” hidden in a plate of cookies, as well as simple traps made of tinsel, double-sided tape, and a cardboard box concealing a mean-looking cat. Another trap looks like a bomb hidden in a box of candy, and a complicated trap in a maze has an evil cowboy clown with a branding iron, leading to the elf’s cry, “Hey, you zapped my tushy!” The bomb trap and the branding iron seem to push the envelope of child-made inventions. The final trap is located in a family grocery store that’s booby-trapped with a “Dinner Cannon” shooting out food, including a final pizza that the elf and Santa share. The singsong, rhyming text has a forced cheeriness, full of golly-jolly-holly Christmas spirit and too many exclamation marks, as well as rhyming word pairs that miss the mark. (No, little elf-boy, “smarter” and “harder” do not rhyme.) Bold, busy illustrations in a cartoon style have a cheeky appeal with a focus on the freckle-faced white elf with auburn curls and a costume with a retro vibe. (Santa is also white.)
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)Pub Date: Oct. 4, 2016
ISBN: 978-1-4926-4631-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Oct. 11, 2016
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by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
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