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THE LONG HITCH HOME

Readers who have been waiting for Tucker Max to travel more fully will be thrilled to discover Maslin’s antics, which will...

An ambitious, uneven account of hitchhiking across three continents, from a smart but surprisingly immature British travel writer.

Beginning on the island of Tasmania in Southern Australia, Maslin (Socialist Dreams and Beauty Queens: A Couchsurfer's Memoir of Venezuela, 2011, etc.) set out to travel home to London relying entirely on free rides from strangers. The author spends just as much time describing the characters he met—with their strange customs and languages—as on painting a full picture of the places he visited. After recounting a ride that delivered him “into the Indonesian equivalent of the Sopranos,” Maslin devotes an entire chapter to describing what he sees as key in understanding modern Indonesia: “the bloody legacy of the country’s former dictator…and the role Western governments…played in his rise to power.” The author’s use of footnotes helps him expand on and support his opinionated political views and well-researched accounts of history, which give context to his personal experiences. He also employs footnotes less seriously—e.g., when a Thai man asked about the size of a certain body part of Maslin’s, his response, “Erm, sufficient,” is accompanied by this footnote: “Remember that British understatement a moment ago?” The author’s boyish humor and privilege can come across less than favorably, such as when he throws a “petulant” fit at a local tour operator or the ways in which he refers to women—e.g., a language confusion in China resulted in “a rather worn-looking middle-aged woman in high heels…classic mutton dressed as lamb” appearing at his hotel room door.

Readers who have been waiting for Tucker Max to travel more fully will be thrilled to discover Maslin’s antics, which will likely turn off some readers. However, those charmed by the author’s guile and those who choose to push past their annoyance will be rewarded with an honest and gripping travel narrative.

Pub Date: Feb. 3, 2015

ISBN: 978-1620878316

Page Count: 384

Publisher: Skyhorse Publishing

Review Posted Online: Dec. 6, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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